- Studio: Drafthouse Films
- Release Date: Feb 17, 2012
- Critic Score
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91Bullhead is well-plotted, with a powerful ending, but its most brutal scene comes early, explaining why for Schoenaerts, life has been one long wince.
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90It's Schoenaerts' magisterial presence that carries the film. In between bursts of convincingly horrific violence (including a fight in an elevator that makes Ryan Gosling's in "Drive" look like a schoolyard tiff), Schoenaerts also shows himself capable of moments of great subtlety and delicacy.
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90An intense, shattering film, a confident and accomplished, punch-in-the-gut debut by Belgian writer-director Michael R. Roskam that starts out like a thriller and turns into a disturbing tragedy in an unlikely and unexpected key.
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90The actor literally takes the metaphors of his bull-headed character to the limits and is never less than believable or mesmerizing.
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80Writer-director Michael K. Roskam takes his time in revealing why Jacky needs to shoot up, but that LaMotta restlessness is unmistakable - this bull here can rage.
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80Jacky is not merely beefed up. He is a Minotaur in the making, and that, surely, is why his story becomes such a labyrinth. [27 Feb. 2012, p.87]
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Feb 14, 201280An impressively dark and well-crafted crime tale about, of all things, cattle farming and "the hormone mafia underworld."
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78A persistent narrative thread that pits Flemish-speaking Belgians against French-speaking Belgians will whiz past most American viewers, but hopefully not distract from its overall impact because this movie grabs the bull by the horns and takes viewers on a surprising ride.
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75Schoenaerts has the gift of being able to make inarticulateness expressive. Perhaps this is why, in moments, he seems to recall Brando and Dean.
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75Bullhead contains the elements for a simple but overwhelming personal tragedy. It also contains other elements that create a muddle. It's one of those films you have to reconstruct in your mind.
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Feb 23, 201275Many terms applied to action movies - muscular, animalistic, testosterone-fueled - are literally true of Bullhead.
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75Characters in Bullhead act out of stupidity, greed, anger and vanity; their world is filmed in a washed-out haze; the miserable fortune that devastated young Jacky haunts him ceaselessly still. The film's final notes hint at a state of grace, perhaps, or at least of release. But there's a tautological determinism throughout that suggest otherwise.
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75I can tell you only that this is a film unlike anything I've seen before-harrowing, haunting and sordid. Be forewarned, it is not for the squeamish. But take a chance and you will be rewarded with a work of nightmarish force that is unforgettable.
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Feb 13, 201270Though the story is told and edited in a way that too often obscures rather than enhances its central tragedy, much is compensated by a career-defining, powerfully physical lead perf by Matthias Schoenaerts and ace lensing by local widescreen wiz Nicolas Karakatsanis.
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63Schoenaerts is often affecting and just as often scarily intense. The film's intensity, by contrast, beams on and off.
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60Unlike most enforcers in the movies, Jacky isn't just a brainless slab of meat.
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60Part character study, part crime thriller, Bullhead is the impressive but deeply flawed first feature written and directed by Michael R. Roskam.
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60Schoenaerts capably handles a difficult role that's equal parts pathetic, repulsive and heartbreaking. But you'll need a strong will to spend your time with such a tragically hopeless character.
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60Every time the narrative's underworld schnooks and low-level lowlifes edge their way out of the periphery, a sense of snorting impatience takes over. This is Jacky's story, and when he's grabbing Bullhead by the horns, you don't want him to let go.
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50There seems to be a pretty good film lurking around inside Bullhead, which makes what we actually see on the screen all the more frustrating.
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50Roskam appears more interested in trying to combine genres that don't easily cohere. On one hand, the film's a crime-thriller and police procedural. On the other, it's about the lingering trauma of Jacky's personal misfortune. The other hand is much stronger.
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50The sentiment, just like the repeated shots of Jacky lying in the fetal position in a tub, shadowboxing, and erupting into a bestial 'roid rage, typifies the film's habit of flattening an idea rather than developing it.
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42Overheated yet bizarrely opaque criminal character study from Belgium.
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Feb 15, 201238What Bullhead ultimately lacks isn't balls but insight and empathy.