Metascore
68 out of 100

Generally favorable reviews - based on 24 Critics

Critic score distribution:
  1. Positive: 15 out of 24
  2. Negative: 1 out of 24
  1. Reviewed by: Noel Murray
    Feb 15, 2012
    91
    Bullhead is well-plotted, with a powerful ending, but its most brutal scene comes early, explaining why for Schoenaerts, life has been one long wince.
  2. Reviewed by: Dana Stevens
    Feb 17, 2012
    90
    It's Schoenaerts' magisterial presence that carries the film. In between bursts of convincingly horrific violence (including a fight in an elevator that makes Ryan Gosling's in "Drive" look like a schoolyard tiff), Schoenaerts also shows himself capable of moments of great subtlety and delicacy.
  3. Reviewed by: Kenneth Turan
    Feb 16, 2012
    90
    An intense, shattering film, a confident and accomplished, punch-in-the-gut debut by Belgian writer-director Michael R. Roskam that starts out like a thriller and turns into a disturbing tragedy in an unlikely and unexpected key.
  4. 90
    The actor literally takes the metaphors of his bull-headed character to the limits and is never less than believable or mesmerizing.
  5. Reviewed by: Scott Tobias
    Feb 21, 2012
    80
    Writer-director Michael K. Roskam takes his time in revealing why Jacky needs to shoot up, but that LaMotta restlessness is unmistakable - this bull here can rage.
  6. Reviewed by: Anthony Lane
    Feb 20, 2012
    80
    Jacky is not merely beefed up. He is a Minotaur in the making, and that, surely, is why his story becomes such a labyrinth. [27 Feb. 2012, p.87]
  7. Reviewed by: Kate Erbland
    Feb 14, 2012
    80
    An impressively dark and well-crafted crime tale about, of all things, cattle farming and "the hormone mafia underworld."
  8. Reviewed by: Marjorie Baumgarten
    Feb 15, 2012
    78
    A persistent narrative thread that pits Flemish-speaking Belgians against French-speaking Belgians will whiz past most American viewers, but hopefully not distract from its overall impact because this movie grabs the bull by the horns and takes viewers on a surprising ride.
  9. Reviewed by: Peter Rainer
    Mar 2, 2012
    75
    Schoenaerts has the gift of being able to make inarticulateness expressive. Perhaps this is why, in moments, he seems to recall Brando and Dean.
  10. Reviewed by: Roger Ebert
    Feb 29, 2012
    75
    Bullhead contains the elements for a simple but overwhelming personal tragedy. It also contains other elements that create a muddle. It's one of those films you have to reconstruct in your mind.
  11. Reviewed by: Mark Jenkins
    Feb 23, 2012
    75
    Many terms applied to action movies - muscular, animalistic, testosterone-fueled - are literally true of Bullhead.
  12. Reviewed by: Shawn Levy
    Feb 23, 2012
    75
    Characters in Bullhead act out of stupidity, greed, anger and vanity; their world is filmed in a washed-out haze; the miserable fortune that devastated young Jacky haunts him ceaselessly still. The film's final notes hint at a state of grace, perhaps, or at least of release. But there's a tautological determinism throughout that suggest otherwise.
  13. Reviewed by: Rex Reed
    Feb 14, 2012
    75
    I can tell you only that this is a film unlike anything I've seen before-harrowing, haunting and sordid. Be forewarned, it is not for the squeamish. But take a chance and you will be rewarded with a work of nightmarish force that is unforgettable.
  14. Reviewed by: Boyd van Hoeij
    Feb 13, 2012
    70
    Though the story is told and edited in a way that too often obscures rather than enhances its central tragedy, much is compensated by a career-defining, powerfully physical lead perf by Matthias Schoenaerts and ace lensing by local widescreen wiz Nicolas Karakatsanis.
  15. Reviewed by: Michael Phillips
    Mar 1, 2012
    63
    Schoenaerts is often affecting and just as often scarily intense. The film's intensity, by contrast, beams on and off.
  16. Reviewed by: Mike Scott
    Mar 16, 2012
    60
    Unlike most enforcers in the movies, Jacky isn't just a brainless slab of meat.
  17. Reviewed by: Stephen Holden
    Feb 16, 2012
    60
    Part character study, part crime thriller, Bullhead is the impressive but deeply flawed first feature written and directed by Michael R. Roskam.
  18. Reviewed by: Elizabeth Weitzman
    Feb 16, 2012
    60
    Schoenaerts capably handles a difficult role that's equal parts pathetic, repulsive and heartbreaking. But you'll need a strong will to spend your time with such a tragically hopeless character.
  19. Reviewed by: David Fear
    Feb 14, 2012
    60
    Every time the narrative's underworld schnooks and low-level lowlifes edge their way out of the periphery, a sense of snorting impatience takes over. This is Jacky's story, and when he's grabbing Bullhead by the horns, you don't want him to let go.
  20. Reviewed by: Walter Addiego
    Feb 24, 2012
    50
    There seems to be a pretty good film lurking around inside Bullhead, which makes what we actually see on the screen all the more frustrating.
  21. Reviewed by: Wesley Morris
    Feb 23, 2012
    50
    Roskam appears more interested in trying to combine genres that don't easily cohere. On one hand, the film's a crime-thriller and police procedural. On the other, it's about the lingering trauma of Jacky's personal misfortune. The other hand is much stronger.
  22. Reviewed by: Melissa Anderson
    Feb 14, 2012
    50
    The sentiment, just like the repeated shots of Jacky lying in the fetal position in a tub, shadowboxing, and erupting into a bestial 'roid rage, typifies the film's habit of flattening an idea rather than developing it.
  23. Reviewed by: Owen Gleiberman
    Feb 22, 2012
    42
    Overheated yet bizarrely opaque criminal character study from Belgium.
  24. Reviewed by: Calum Marsh
    Feb 15, 2012
    38
    What Bullhead ultimately lacks isn't balls but insight and empathy.
User Score

Generally favorable reviews- based on 27 Ratings

User score distribution:
  1. Positive: 8 out of 9
  2. Mixed: 0 out of 9
  3. Negative: 1 out of 9
  1. It's an outstanding film. The lead character is so damaged, and you develop such sympathy for him. The trailer led me to believe he'd be some monster, but the flashbacks to his youth are uniquely heartbreaking, and you come to truly feel for the guy as he's doing his best to live a quasi-normal life given his circumstances. The supporting characters are fantastic. Even some stabs at light humor within the very heavy storyline are effective. The cadence of the film is right on the money. Full Review »
  2. 10
    Very good movie. Starts as a rural crime flick then subtly turns into an intense character study. Great performances by the lead actors. Don't miss it, this is what cinema should be: a movie that leaves you thinking for hours about what you just saw. Full Review »
  3. My final Febiofest screening of this Oscar-nominated Belgian film, a powerfully ravishing drama-crime blends a hidden atrocity in the past. The film owns an entangled and compelling script, sprinkling a few dastardly violence on screen, eliciting a fatalism presentiment and heroism boosting. From the beginning voiceover about the re-surface of some tucked-away secrets, the audience all anticipates the unraveling of the mystery, which turns out to be a frightful child trauma which prompts our protagonistâ Full Review »