Candy

Metascore
57

Mixed or average reviews - based on 24 Critics

Critic score distribution:
  1. Positive: 10 out of 24
  2. Negative: 0 out of 24

Critic Reviews

  1. As the characters' lives fall apart, Ledger fails to bring the necessary gravitas to the role, and he looks a bit too healthy throughout.
  2. 60
    Life, love and addiction make a mostly bitter, but occasionally sweet, concoction in Oz drama Candy, which is sometimes hard to swallow.
  3. Cornish provides a counterbalance for Ledger's authoritative presence, turning what could have been just another heroin movie into a flawed but engrossing parable on love and sacrifice.
  4. Ledger mumbles his entire performance (some of it barely legible) as a fuzzy, friendly, happily passive heroin addict and sometime poet, as if he's too blissed out to even open his mouth as he simply drifts along with his addiction.
  5. 50
    A story that's reminiscent of the seminal "Panic in Needle Park."
  6. 50
    Any drug movie's effectiveness can be measured by the strength of its detox, and Candy doesn't sweeten the cold turkey. Still, it's a downward spiral from there in more ways than one. Never mind the neo-psychedelic-pop soundtrack and occasional double-vision cinematography: Dope just can't account for the film's fried brain cells.
  7. A wildly romanticized Australian druggie drama.
  8. 50
    As the movie's feet get stuck in its own misery, it made me appreciate "Trainspotting" all over again - its wit, how it moved, the way any outcome for its characters seemed possible.
  9. Reviewed by: Scott Warren
    50
    Ledger turns in another stellar performance and Cornish is heartbreakingly good also in this well-crafted film. But once that first plunger is pushed, the surprises are few.
  10. Reviewed by: Dana Stevens
    50
    Geoffrey Rush is fine as a gay drug dealer who serves as an enabling Santa Claus to the doomed couple. But in the end, Candy is a little too sweet and not quite harmful enough to the audience's health.
  11. There has to be a good reason to put yourself through yet another junkie odyssey and Candy flunks the test.
  12. Wall Street Journal
    Reviewed by: Joe Morgenstern
    50
    What we see, though, is the same old same old - beautiful faces turning gaunt and haunted, strung-out hero and heroine, stupid parents, de-tox worse than tox, descent to and return from the depths. Candy could be seen, I suppose, as a cautionary tale; take this as a cautionary review.
  13. 50
    Decent performances aside, the only interesting bits involve Geoffrey Rush as a chemistry professor who enables their self-abuse.
  14. 40
    It's neither utterly real nor utterly romantic (heroin, like alcohol, manages to be awfully and unremittingly both).
User Score
7.7

Generally favorable reviews- based on 27 Ratings

User score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Oct 10, 2015
    9
    This film is brilliantly acted and is well supported by a riveting story. As the film goes on you become more attached to the characters, andThis film is brilliantly acted and is well supported by a riveting story. As the film goes on you become more attached to the characters, and will most likely be devastated yet filled with emotion at the end. As the credits rolled and the music played, I got goosebumps and contemplated how it must feel inside the body of an addict. Full Review »
  2. ChadS.
    Mar 31, 2007
    7
    Being a painter, when Candy (Abbie Cornish) moves to the countryside with Dan(Heath Ledger, who reclaims his heterosexual screen image in a Being a painter, when Candy (Abbie Cornish) moves to the countryside with Dan(Heath Ledger, who reclaims his heterosexual screen image in a scene that makes ironic use of "My Own Private Idaho"), Jackson Pollock and Lee Krasner's migration to the boonies spring to mind. But then you realize that Dan doesn't do anything, so the prescient evocation becomes only half-right. Dan is no action painter; action hay bailer, yes. Candy can still be Krasner, but her influential(the bad kind) beau is the anti-muse. Dan has nothing to offer her, except his love. Is it enough? No. Candy may, or may not mature into an artist of great notoriety, but she'll never get a chance to find out if the heroin does her in. "Candy" is a love story about co-dependents(who might be star-crossed; she's middle class, he might be "white trash") that has its intermittent moments of underlining the debacle, which is the grade of diaster that drug addiction entails, with startling power and heartbreak. The sequence that documents Candy's attempt to bring life into this world stands out from the rest of "Candy" in which, like all movies about addicts, are broken into two sets of scenes; they're either stoned, or not stoned. Full Review »
  3. Helenp.
    Nov 30, 2006
    10
    It's simply gorgeous!