1. giniscanlan

   10

   We've watched a few stinkers lately but this one is a great movie. The plot had enough twists and turns to keep you guessing and I think we all know a kid with the potential...… Expand

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     2 of 2 users said yes
2. kingshahid

   4

   I've been watching a lot of movies with young girls being used for the scare effect. I've seen many that utilize the overdone demonic-psychosis debate. If this movie was compared to the exorcism movies (Last Exorcism and Exorcism of Emily Rose) this movie is not worth watching. It seems to be along the same lines though. I didn't find this horrifying and it didn't keep me thrilled either.… Expand

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     0 of 0 users said yes
3. Shiira

   3

   The masturbation scene from William Freidkin's "The Exorcist" will always be shocking. In a sense, the saying, "Now I've seen it all," should have been retired after 1973 when twelve-year-old Regan MacNeil(Linda Blair) jammed a crucifix in her vagina, while burning moviegoers' ears with a scatological mix of sex and religion that not even Prince would ever dare approach. The projectile vomiting, however, so often parodied, and more importantly, smiled upon, since the bodily function plays a big part in the modern comedy aesthetic, as a result, seems to have lost a lot of its initial shock value because moviegoers don't see the devil's bile anymore, they see pea soup. Lilith Sullivan(Jodele Ferland) eats peas, but that's as far as it goes; she masticates and digests; she holds her vegetables down. In "Case 39", it's harder to see the devil inside. As Lilith methodically cuts each pea with a knife and fork, Emily Jenkins(Renee Zelwegger), her foster mother, thinks nothing of it, chalking up the girl's idiosyncratic eating habits as a symptom of her abused past. The devil inside Lilith also knows how to keep its sexual appetite in check; the devil keeps things discreet. Adorning those walls of the girl's old house, the domicile where Lilith was almost cooked alive, trapped inside the oven, put there by her parents, as if the whole family were characters out of a modern-day Brothers Grimm fairytale, are crucifixes, that, as Sheena Easton would put it, never "spend[s] a night in [her] sugar walls," but nevertheless, carries a certain sexual latency, being that the devil would distort the Christian relic's holy significance the first chance he'd get. Naturally, the carefully sliced peas has nothing to do with persnicketiness; it's a warning sign, unbeknownst to Emily, that her charge, the devil incarnate, perceives Doug(Bradley Cooper), a child psychiatrist, as a rival for the dim-witted woman's attention(but to be fair, all horror movie heroines are programmed this way), and an affront to the foster parent's boyfriend's prowess as a satisfactory lover, in which the peas denote small balls, and its smashing, denotes further that small balls is no match for big balls. Not only does Doug die, but the girl's father, Edward Sullivan(Callum Keith Rennie), too, whom the girl's mother, Margaret(Kerry O'Malley) chose over Lilith/the devil after she rejects her/his overture to, perhaps, engender devil spawn. The audience gets to see this scenario play out for themselves. When Emily, finally, at long last, realizes the mess she's in, the devil turns on the charm, utilizing its proxy to play the lolita, by tweaking the girl's feminine voice to flirtatious and persuasive heights, as a means to coax her guardian from under the bed. Since this is the devil we're talking about, Lilith probably wants to do more than talk.… Expand

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     2 of 3 users said yes

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