User Score

Mixed or average reviews- based on 11 Ratings

User score distribution:
  1. Positive: 6 out of 11
  2. Negative: 4 out of 11

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  1. Oct 25, 2013
    I was entertained from start to finish by this high energy movie. The birth of punk music provides the backdrop for the story of Hilly Kristal who has a vision for a club where musicians play original music. He starts out a ne'er do well and never really loses his messy, gritty persona while building CBGB. Alan Rickman is outstanding as are many of the familiar faces, and the unknown actors playing the rockers are spot on. Expand
  2. Oct 19, 2013
    I truly loved this movie!! It is a love story to the man, Hilly Kristal, the one who started a movement in music. He was a hero, rough around the edges, like the film, but I think that was the point the filmmakers were making. The casting was absolutely super as well: Malin Akerman as Debbie Harry (Amazing!); Rupert Grint as punk rocker, Cheetah Chrome (Inspired!); Ashley Greene, the best performance of her career; Freddy Rodriguez was completely unrecognizable (Very very good!); Justin Bartha as punk rocker, Stiv Bators (F'ck'n awesome!); Donal Logue is always one of my favorite (Great!). The bands were amazing as well, David Bryne and Sting and Television were spot on!! Run, don't walk to see this film... its fun, its funny and its a great story about the birth of Punk Rock on the Bowery. Don't listen to the critics they are DEAD WRONG!! Expand

Generally unfavorable reviews - based on 17 Critics

Critic score distribution:
  1. Positive: 1 out of 17
  2. Negative: 11 out of 17
  1. Reviewed by: Scott Foundas
    Oct 15, 2013
    Transforms the glory days of Hilly Kristal’s Bowery punk/No Wave club into exactly the sort of moldy sitcom one might expect from writer-director Randall Miller.
  2. Reviewed by: John DeFore
    Oct 11, 2013
    Alan Rickman's lead performance highlights a sincere but insubstantial rock pic.
  3. Reviewed by: Christy Lemire
    Oct 11, 2013
    CBGB ain't no party, it ain't no disco, it ain't no foolin' around. It also isn't authentic for a second, and it provides zero insight into the birth of the New York City punk scene in the 1970s.