- Starring: Alan Rickman, Johnny Galecki, Justin Bartha, Malin Åkerman, Richard de Klerk
- Summary: CBGB follows the story of Hilly Kristal's New York club from its conceit as a venue for Country, Bluegrass and Blues (CBGB) to what it ultimately became: the birthplace of underground rock 'n roll and punk. When Kristal had difficulty booking country bands in his club on the Bowery he opened his doors to other kinds of rock music. Kristal had one demand of the acts he booked; they could only play original music. No top 40's, no covers. It was the credo he lived by, support the artist at whatever the cost. Hilly Kristal ironically became known as the godfather of punk giving a chance to such bands as Blondie, Television, Ramones, Talking Heads, Dead Boys and The Police.… Collapse
- Director: Randall Miller
- Genre(s): Drama, History, Music
- More Details and Credits »
Oct 19, 2013I truly loved this movie!! It is a love story to the man, Hilly Kristal, the one who started a movement in music. He was a hero, rough around the edges, like the film, but I think that was the point the filmmakers were making. The casting was absolutely super as well: Malin Akerman as Debbie Harry (Amazing!); Rupert Grint as punk rocker, Cheetah Chrome (Inspired!); Ashley Greene, the best performance of her career; Freddy Rodriguez was completely unrecognizable (Very very good!); Justin Bartha as punk rocker, Stiv Bators (F'ck'n awesome!); Donal Logue is always one of my favorite (Great!). The bands were amazing as well, David Bryne and Sting and Television were spot on!! Run, don't walk to see this film... its fun, its funny and its a great story about the birth of Punk Rock on the Bowery. Don't listen to the critics they are DEAD WRONG!!… Expand
Oct 25, 2013I was entertained from start to finish by this high energy movie. The birth of punk music provides the backdrop for the story of Hilly Kristal who has a vision for a club where musicians play original music. He starts out a ne'er do well and never really loses his messy, gritty persona while building CBGB. Alan Rickman is outstanding as are many of the familiar faces, and the unknown actors playing the rockers are spot on.… Expand
Oct 5, 2013This review contains spoilers, click expand to view. Obviously a love letter, but a haphazard, disjointed one at best. Scene after scene and character after character seemed to be included only because they must have been somehow important, but why they were important is never really explained. It seems more like an anthology of re-enactments of 2nd hand stories, cleaned up and recycled into an TV after-school special (and probably had the same budget, judging by the cheap Halloween wigs that prove to be incredibly distracting in their awfulness). This is especially notable in a scene where, apropos of nothing, the guy from The Big Bang Theory offers a blowie to a guy we're supposed to believe is Iggy Pop...for some reason. I assume it was supposed to be some of the comedy we were promised, but, forced in as it was, it was just confusing.
There are, inexplicably, two different opening scenes. Both are by-the-book cliches, and neither adds a single thing to the plot, showing us a baby Hilly Kristal running to the neighbors for some reason, and the ham-handed condensed version of the founding of Punk magazine, the inclusion of which exists solely to introduce some sort of narrator who spells out the "message" of the movie in talking points that sound like a book report shoehorned into unnatural dialogue.
As likable as Alan Rickman is as Hilly, it's worth noting that he is the only real villain in the story as well. What little conflict and plot happens on screen centers around him being his own worst enemy- turning down advice and help at every turn, again, without offering an explanation or providing any context whatsoever for why he makes such bad decisions. There's no insight into who Hilly was as a person, just someone going through the motions like they're following a list.
It's hard to tell who the audience for this film is. If you're not already familiar with the story, you won't come out really knowing anything of value about this pivotal point in music history. All you'll know is that some guy who was bad at business had a club the Ramones played at, and apparently that's important. If you're already a fan, you'll find the story lacking detail and richness, and the dumbed down spoon-feeding of punk history off-putting and exceedingly mild. The way the rock icons are portrayed is cartoonish, feeling more like an excuse for a costume party than any serious attempt at portraying reality.
And don't even get me started on the obvious continuity errors sprinkled liberally throughout. The whole thing was like amateur hour, except that it felt more like 4 or 5 hours.… Expand