Review this movie
Jan 17, 2013Superb performances from Tom Hanks, Julia Roberts and the brilliant Philip Seymour Hoffman have helped create a well-written, cunningly humorous and era-driven tale based on a true story surrounding 1980s congressman Charlie Wilson.
Aaron Sorkin's writing capability is completely out the open in this film and its nothing short of genius. Sure, the film is not going to run away with any honours because it does sometimes stray from the point by going from a biopic to a straight up war film. But it is definitely the acting capabilities and Soviet era surroundings which make this film worth 90+ mintues of your time.
The process by which this film plays out, i.e. funding the mujahideen to defeat the soviet onslaught in Afghanistan, is seen as the eventual ramifications which led to the events of 9/11. This shouldn't deter you from watching. The chemistry between Hanks and Hoffman in particular are wonderful scenes to watch, as they bounce off each other like Chuckle Brothers in suits.
Julia Roberts is delectable as Charlies 'friend' Joanne Herring, bringing a touch of elegance and class to to her role, and lest we forget the then up and coming Amy Adams as Wilson's assistant Bonnie Bach.
Hanks is a very convincing Charlie Wilson, he has clearly spent much of his time preparing for the role by learning mannerisms and through Sorkin's writing and Mike Nichols direction, has fluidly combined a business and pleasure persona to make a very likeable character.
The dialogue, as stated before, is very well written and spoken brilliantly by the cast, the chemistry is is natural and doesnt feel forced, and the lines in the film are delivered in a comedic, sometimes elitist fashion, but fun nonetheless.
Excellent talent at show here has resulted in a thoroughly enjoyable movie that will be hard not to like, and in several occasions, hard not to laugh at.… Expand
In this film, directed by Mike Nichols in one of his most satirical moods and scripted by Hollywood's most politically astute writer Aaron Sorkin, a womanizing, alcoholic, easily tempted bachelor gets elected in a Texas district that doesn't care what he does as long as he brings home the bacon.
Of course, hanging over this ironic tale is the deeper historical irony--that many of the "good guy" rebels Charlie is funding (and we're cheering) will become our mortal enemies...It's as if "Titanic" ended with a celebratory shipboard banquet, followed by a postscript: by the way, it sank.