- Studio: Columbia Pictures
- Release Date: Jun 27, 2003
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90Bigger, sleeker and better than the first, sequel Charlie's Angels: Full Throttle is a joyride of a movie that takes the winning elements of the year 2000 hit to the next level.
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Let's face it: Chick power was never this yummy.
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80After The Matrix Reloaded and The Hulk, there's something refreshing about this movie's complete lack of intellectual pretense.
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75Isn't only the silliest, most ridiculous movie of the summer; it may also be the most flat-out fun.
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75This heavenly sequel, again directed by "McG" (aka Joseph McGinty Nichol), is infused with an irresistibly joyous spirit that simply cannot be faked.
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75The spike-heeled, postfeminist pajama-party sisterhood that is Charlie's Angels is back, and it's serious dress-up time.
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75The movie's glee is contagious.
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75You may strain to recall just what happened an hour after you see it, but there are so many worse things to have to remember in life. It's a relief to focus on something so attractively amusing.
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70A loud and frequently funny clown show, Full Throttle is less a grim demolition derby than a day at Coney Island, punctuated by the clatter and screams of the Cyclone.
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70The movie is immensely pleased with itself, in the manner of adorable kids who know they can get away with anything--the commercial opportunism is so self-confident in its silliness that you cant really fight it. [7 July 2003, p. 84]
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70The main reason I enjoyed this high-powered action flick and its 2001 predecessor is their willingness to poke fun at the premise of crime-fighting dolls, even though it now has more currency than ever.
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63Harmless, brainless, good-natured fun.
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60As insistent as it is skillful -- and it is very skillful -- it does all it can to pound you into enjoying yourself. The result is rather like being force-fed a meal of your favorite foods by the Terminator.
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60Full Throttle is full-throttle camp: It's like a third-rate Austin Powers picture cut to the whacking, attention-deficit-disorder tempo of "Moulin Rouge."
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60It's a movie devoted to showing it, shaking it and selling it with huge zest and self-delight, a movie that raises MTV-style dada to the status of superheated mama, even though, toward the end, it wears awfully thin rather than svelte.
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58It's flashy, it's often funny ...,and it resembles a movie so much that soon it demands something resembling motivation, character, a plot, anything to explain the seemingly arbitrary connections between the stunts and the skits.
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50Its purpose is simply to allow you to soak up the happy grrrrl-power vibes of this easy-on-the-eyes trio amid unevenly executed computer-enhanced action scenes, at which points the movie resembles a video game.
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50All of the actresses are fun to watch, and as much attention appears to have been lavished on their outfits and hairdos as on their high-flying fight scenes.
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50Proudly airheaded, incoherent, endlessly pandering - yet fitfully entertaining.
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50Clearly, this is something rare: a movie that insulates itself against its own rottenness by being lousy by design.
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50It worked once, but the novelty factor is gone. The cheese is still there, but this time it's overlaid with a cynical sense that the only reason the movie exists is because the first one made so much money.
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50The action is ridiculously overwrought, a state-of-the-art combination of CGI wizardry and Hong Kong-style wirework so removed from the laws of physical reality that it might as well be animated.
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50Should have been either a whole lot worse or a whole lot better than it is: If it were worse, we could simply toss aside the things that are fun and entertaining about it and not even think twice. And if it were better -- well, we'd have fewer complaints all around.
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50So relentlessly giddy and hyperactive that it doesnt really need a movie review--it needs a prescription.
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50The film is smart enough to know that verbal humor isn't its strong point, but it doesn't offer much in the way of compensation.
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50Nothing deeper than a stale retread, it seems. And this is coming from a critic who listed the original "Charlie's Angels" movie as one of the top five films of 2000.
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50A sequel whose sugar-rush absurdity almost defeats the forces of logic, taste and conventional narrative. It is a defect that might undermine a lesser movie but that in this case proves to be as cheerfully, enjoyably humid as the first blast of summer light and heat.
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50This is one of the silliest movies ever made--and lots of instantly forgettable fun.
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40Tries to be bigger and better than the first "Charlies Angels." It achieves the bigger, but the better is sorely lacking.
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40Can't sustain its manic pitch, or work the McMiracle needed to overcome a script (credited to three writers, though more were no doubt afoot) that's less a story than a sales pitch.
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38There are only so many times you can see a slow-motion kickboxing scene or a figure sail off a skyscraper before you want to spend a nice, cozy evening with the Dead Sea Scrolls.
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38The shreds have vanished in Charlie's Angels: Full Throttle, which runs at that speed during its stunts but is utterly out of gas in every other way.
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30What fans of the original movie, "Charlie's Angels," which was fun and good-natured, will make of this sloppy mess is hard to guess.
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30A less cohesive action-comedy than its predecessor, Full Throttle is instead a freewheeling collection of random action sequences strung together with little or no discernible rhyme or reason.
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30That sense of fun is jackhammered into our skulls. The tongue that was so firmly in cheek last time has punctured through muscle and bone.
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30Two-hour exercise in chaotic action and coarse, annoyingly coy sexuality.
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25Something cold and mechanical has seeped into the sequel. The divas push so hard for fun, it kills the spontaneity that fun needs to breathe.
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25Isn't a full-bodied comedy, and it isn't a bona fide action movie, either. It just makes a facetious spectacle of itself.
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12As for me, watching this overripe, ignorant parading of Hollywood privilege an hubris put me in mind of a different song--Neil Young's "Revolution Blues." Specifically the bit about Laurel Canyon being filled with famous stars . . .
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User score distribution:
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Positive: 37 out of 62
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Mixed: 4 out of 62
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Negative: 21 out of 62
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