- Studio: AZN Television
- Release Date: May 2, 2003
- Critic Score
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88Drew me in from the opening shots. Byler reveals his characters in a way that intrigues and even fascinates us, and he never reduces the situation to simple melodrama, which would release the tension. This is like a psychological thriller, in which the climax has to do with feelings, not actions.
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80In his feature debut, writer-director Eric Byler demonstrates a refreshing trust in his material and his audience, crafting a compact, intriguing drama from understated performances and a subtle visual sensibility.
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80The cast is top-notch and I predict there will be plenty of female audience members drooling over Michael Idemoto as Michael.
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80Lovely ensemble piece.
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80Would that all love stories were as sophisticated and amusing as the satisfying Charlotte Sometimes.
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80A tiny film that reflects a large talent.
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80The deft shading he (Byler) elicits from his thesps is of a piece with his dramatics and his understated, artful approach to compositions and movement.
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80Wonderful images, hues, sensations and faces.
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75It's a hushed work of restrained emotions, elliptical storytelling and spare dialogue, peopled with smart, authentic characters who have drawn you into their lives before you know it.
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Sexy, surprising romance.
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70Thick with sexual intrigue and characters who only reveal themselves over time, this subtle mystery unfolds like something a kinder Neil LaBute might have cooked up earlier in his career.
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70Using vagueness as a crutch, Charlotte Sometimes makes a fetish of opacity. Still, whether or not it's a pose, the film's poised reticence is refreshing in context -- a rebuke to the contemporary crop of blabbermouthed American indies.
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67An erotic mystery of sorts, the film works because it's laconic rather than talky and its actors are all up for the material.
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63Sometimes engaging, sometimes amusing and ultimately surprising.
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60The screenplay becomes annoyingly vague--Byler tries to conjure heavy weather out of Charlotte's mysterious past, but the details are confusing and the ending bewilderingly abrupt.
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50Writer-director Byler, in his first feature film, also proves to be a noteworthy new voice, even if his cinematic sense outweighs his narrative sense in this initial outing.