Children of Tokyo Image
Metascore
91

Universal acclaim - based on 4 Critics What's this?

User Score
7.3

Generally favorable reviews- based on 8 Ratings

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  • Summary: One of Ozu’s most popular films, I Was Born, But . . . is a blithe portrait of the financial and psychological toils of one family, as told from the rascally point of view of a couple of stubborn little boys. For two brothers, the daily struggles of bullies and mean teachers is nothing next to the mortification they feel when they realize their good-natured father’s low-rung social status. Reworked decades later as Ozu’s Technicolor comedy Good Morning, it’s a poignant evocation of the tumult of childhood, as well as a showcase for Ozu’s expertly timed comedy editing. (Janus Film) Expand
Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. 100
    That it is more -- a small masterpiece, perfect in design and execution -- almost goes without saying, but the film’s profundity and its charm go hand in hand.
  2. Reviewed by: Dana Stevens
    100
    Qualifies as one of my favorite movies of all time. This 1932 masterpiece, now digitally restored with retranslated subtitles and a newly recorded score, is a silent film that doesn't feel silent at all.
  3. 80
    The film retains a measure of tempered hope, born not simply from the father's command-cum-wish to his slumbering offspring ("Don't become a miserable apple-polisher like me, boys"), but also from a final act of youthful compassion that binds Ozu's intensely human characters in glass-half-full solidarity.
  4. Watching the first hour of I Was Born, But… (unspooling with a bright, new piano score by Donald Sosin) might remind you of a subdued “Our Gang” skit, and not unpleasantly.
Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of