Metascore
75

Generally favorable reviews - based on 28 Critics

Critic score distribution:
  1. Positive: 22 out of 28
  2. Negative: 0 out of 28
  1. Can a misguided adult start afresh with a new set of values and priorities? This ambitious drama, directed by one of France's most resourceful filmmakers, explores that crucial question in depth and detail.
  2. Reviewed by: Ken Fox
    100
    Cheung gives a revelatory performance.
  3. Reviewed by: Glenn Kenny
    100
    A superb effort by a first-rank director, and manna from heaven for Cheung fans.
  4. 100
    Cheung is one of the finest actresses working today, an expressive, lustrous beauty capable of plumbing a boundless range of emotional hues. This is the greatest performance she's given to date.
  5. 91
    Beautifully shot and cut, written with a visceral aversion to cliche, deftly skirting sentimentality, sensationalism and simplicity, it continually surprises, engages and satisfies. For a small, unheralded film, it's a knockout.
  6. One of the most emotionally honest movies about drug addiction ever made.
  7. 88
    Emily is played by Maggie Cheung with such intense desperation that she won the best actress award at Cannes 2004.
  8. Clean, director Olivier Assayas' spellbinding study of a junkie trying to get her life in order so she can reclaim custody of her child, avoids the pitfalls, brilliantly.
  9. 83
    Nolte brings this movie a piece of his heart, and grants us peace.
  10. 80
    The emotional truthfulness of Clean enters into our bloodstreams with its muted vigor, and we find ourselves getting hooked by this tale of getting unhooked.
  11. Clean is one of those movies that's slightly off the mark in ways that are hard to put a finger on, but it is shot so soulfully and features such beautiful performances that it's easy to forgive the occasional false note.
  12. Albrecht brings out a side of Mr. Nolte rarely seen on the screen, and he gives a deep and touching portrayal of a haggard, beleaguered older man.
  13. Reviewed by: Jessica Reaves
    75
    Clean is above all a movie about making peace with uncertainty and doubt and living with the aftershocks of the choices we make. Not the easiest task, but it may be what redeems us in the end.
  14. When these two powerhouse performers come together, a rather predictable tale ignites with surprising force.
  15. 75
    Cheung and Nick Nolte seem unlikely co-stars, but co-star they do in Clean, giving gritty performances under the direction of Frenchman Olivier Assayas.
  16. Reviewed by: Ty Burr
    75
    Clean has the same mixture of human tenderness and borderline-silly Eurochic that marks Wenders films like "Until the End of the World."
  17. Not your average divorce gift: Clean's writer-director Olivier Assayas created the role of recovering rock-world druggie Emily Wang for his ex-wife, art-house/action-pic royalty Maggie Cheung (In the Mood for Love).
  18. The rough, exposed emotional candor of Cheung's singing voice carries into her performance.
  19. 75
    The film gets its distinction from the performances by Cheung and Nolte, whose scenes together are suffused with loss and unexpected mutual compassion.
  20. Hitting the ground in his ultra-naturalistic mode, Assayas only uncages his star's formidable smile once or twice and never demands our empathy, making Clean a uniquely pungent portrait of dependent personalities and the strain they put on the social weave.
  21. 70
    It's the moral journey of Nolte's character that is the real story in Clean, but Assayas instead focuses on the manipulative habits of an addict, resulting in a mannered study of narcissism and self-pity.
  22. It's not so much a movie in three acts as three movies stuffed into a single casing, and often showing the strain.
  23. Maggie Cheung, who was in Assayas's Irma Vep, plays Emily with a semi-detached feeling--observing the role as much as portraying it. The chief pleasure in the picture is Nick Nolte's performance as the boy's paternal grandfather.
  24. An unflinching look at the ravages of substance abuse, and it's also a sobering redemptive tale.
  25. Cheung can't make the woman very interesting in her own right--the most compelling performance here is Nolte's.
  26. Reviewed by: Alan Morrison
    40
    Bit of a mediocre drama from writer-director Assayas despite some good turns, not least from Nick Nolte and Beatrice Dalle.
  27. Reviewed by: David Rooney
    40
    Dramatically pallid and unconvincing. Despite being written for her, the director's "Irma Vep" muse Maggie Cheung seems oddly miscast here and is ill-served by an emotionally underpowered screenplay that rarely gets beneath the surface of the character's problems.

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