- Studio: Fox Searchlight Pictures
- Release Date: Sep 15, 2006
- Critic Score
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83Anyone who's been closely involved with a wedding knows exactly how these beleaguered schmucks feel. Those who haven't may just take Confetti as a lighthearted but convincing argument for elopement.
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80Just when I'm ready to write off the mockumentary as an exhausted form, along comes this delightful and hilarious improv comedy from the UK in which a bridal magazine sets up a promotional contest for the best offbeat wedding.
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75It's ripe for an American remake, given the popularity of reality TV shows like "My Super Sweet 16" and "Bridezillas," but it's hard to imagine a better cast than this ensemble.
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75Must viewing for the Bridezillas set, this winning pageant of gaudy bad taste is the work of some of the U.K.'s most popular comedy performers.
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75The humor is sweet-spirited, the dialogue (all improvised by the cast) is acerbic and witty, the celebration of unbridled tackiness is often hilarious.
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If nothing else, this affectionately off-the-wall confection offers exuberant confirmation of every suspicion you might ever have had that the English are charmingly eccentric. They're barking mad.
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Under the insanity and unsexy nudity, Confetti has a sweet center. Comic timing, themes of tolerance and commitment and the marriage of farce and empathy lift the film above the mockumentary pack.
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67The film veers toward sheer silliness at times, losing the sweetness that defines its strongest moments.
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63Outlandish weddings aren't much of a satiric target, but Confetti isn't really going for satire; mild-mannered japes are more its style.
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63Like the average best-man toast, Debbie Isitt's amiable mockumentary has many funny moments, a few touching ones and some that fall just slightly flat.
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63Overall, Confetti is agreeable and appropriately daft, though occasionally tepid and contrived.
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60Picture is reminiscent less of Richard Curtis' romcoms and more of Christopher Guest's mockumentaries, with a dash of early Mike Leigh.
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60Say this for Confetti: It's a crowd-pleaser. If, that is, the crowd is composed of people who have never seen a movie by Christopher Guest or a TV show starring Ricky Gervais.
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50May be too convincing for its own good.
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50A good-natured but terminally mild British mockumentary.
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50Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format.
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50Confetti overdraws on an audience's generosity.
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40Content to go only a third of the way to the bottom of its characters, the movie gives each a few comic tics and leaves it at that.
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38With barely a laugh to be found, Confetti takes the "mock" right out of the mockumentary, and you can guess what's left. Yep, a Umentary, a brand new genre best defined by what it's not -- not real like a doc, not funny like a mock, not this thing or that thing or much of anything.
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30The track records of the performers are impeccable, but Issit has obviously never watched an awards show or similar event where comedy actors appear unscripted. Placing the weight of such a preposterous storyline on their improvisational shoulders was a disaster waiting to happen. And it happened.
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25A strained, ultra-predictable and headache-inducing mockumentary.
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