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Copying Beethoven
User Score
7.2 out of 10

Generally favorable reviews- based on 19 Ratings

User score distribution:
  1. Positive: 14 out of 19
  2. Mixed: 1 out of 19
  3. Negative: 4 out of 19

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  1. JohnB.
    Oct 25, 2007
    9
    Although the storyline is not too strong, the film captures brilliantly the agony and the ecstasy of Beethoven's struggle to produce his masterwork and the (edited) performance of the 9th is one of the most moving experiences of my more than 50 years of being a movie fan!
    • 0 of 0 users said yes
  2. RobertK.
    May 25, 2007
    8
    If you love music and yearn for a movie that tries to capture some of the mystery and power of creative genius, you'll be willing to forgive this movie for the wince-inducing anachronisms. at the start. Once the movie starts to focus on music and the price that genius has to pay, it really starts to work. The sequnce with the Ninth is very fine, but I was even more touched by the scene of Beethoven dictating the unearthly "Heiliger Dankgesang" from his A-minor string quartet (Op. 132). Lovers of the visual arts should listen to the director's comments about the art that inspired the final scene.… Expand
    • 0 of 0 users said yes
  3. CathyC.
    Jun 22, 2007
    9
    I couldn't disagree more with Nick B.'s assessment of Diane Kruger's acting. She approached her role with subtlety, not flatness. Yes, Harris portrays Beethoven as "over the top" and bombastic. He was that way in real life, an egotist. This film isn't about Beethoven, it's about how the times treated women, and shut them out of important pursuits. It's a feminist "what if" by a feminist director. It should be viewed for it's intent, not what we wish it were.… Expand
    • 0 of 0 users said yes
  4. LuisC.
    Jul 31, 2007
    1
    The film is a farse. The most unforgivable mistake is presenting an apparently deaf Beethoven that sometimes hears everything and some other times he invents the perfect excuse to blackmail Anna. Bad film.
    • 0 of 0 users said yes
  5. MichaelE
    Jan 23, 2008
    8
    Captures the essence of Beethoven along with a stirring performance of his ninth symphony.
    • 0 of 0 users said yes
  6. NickB.
    Dec 12, 2006
    3
    Diane Kruger's performance is awful. She ruins the movie. Oddly enough, everything else is absurd and over the top. But her performance is flat and sometimes painful to watch.
    • 0 of 0 users said yes
  7. RuthH.
    Dec 25, 2006
    9
    Moving perceptive story well executed, brilliant score.
    • 0 of 0 users said yes
  8. Williamw.
    Nov 12, 2007
    9
    Excellent story. Performance of the ninth was magnificent.
    • 0 of 0 users said yes
  9. SeanM.
    Apr 14, 2007
    10
    Quite a nice movie about the process of making art. Well worth seeing.
    • 0 of 0 users said yes
  10. EduardoP.
    Sep 26, 2007
    10
    Great movie, wonderful argument.
    • 0 of 0 users said yes
  11. PaulW.
    Jan 28, 2008
    1
    Firmly set in the 21st century, with no period feel whatsoever. Beethoven was TOTALLY deaf for the last 15 years of his life, yet here he hears when it suits the script writers. Typical well-meaning American schmalz.
    • 0 of 0 users said yes
  12. SusanW.
    Nov 15, 2006
    10
    I LOVED IT ! ! ! Rarely, a movie comes along that is a work of art. I felt that way about Tous les Matins du Monde, and hadn't felt that way about any movie since. This one really enhanced my FEEL for Beethoven - for his art, and for his life. It got across the notion well that there's a deeper substrate to Beethoven's music that transcends calculation and structure. I was rapt. I found at the end that I still had a full bag of popcorn - I'd forgotten all about it as soon as the movie started. I especially loved two parts: the treatment of the Ninth, with the rapture and the excitement and the exhileration, and the explanation of the grosse fugue.… Expand
    • 0 of 0 users said yes
  13. tomaszw.
    Nov 29, 2006
    10
    American critics don't get it. Copying Beethoven (read the title!) is not about Beethoven but about a hypothetical young woman who could have been and should have been, a meditation on art and the nature of genius in a field that's been the most guarded bastion of male supremacy. Journalistic criticism is too shallow and impressionistic to recognize or appreciate Agnieszka Holland's thoughtfulness and subtlety.… Expand
    • 0 of 0 users said yes
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Critic Reviews

All reviews »
Metascore
59 out of 100

Mixed or average reviews - based on 20 Critics

Critic score distribution:
  1. Positive: 9 out of 20
  2. Mixed: 9 out of 20
  3. Negative: 2 out of 20
  1. The Hollywood Reporter
    Reviewed by: Michael Rechtshaffen
    50
    The picture never successfully comes off the written page.
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  2. Variety
    Reviewed by: Leslie Felperin
    50
    Helmer Agnieszka Holland's Copying Beethoven joins 1994's "Immortal Beloved" in the ranks of mediocre dramatic interpretations of Beethoven's biography.
    Read full review
  3. Village Voice
    Reviewed by: Luke Y. Thompson
    60
    Screenwriters Stephen J. Rivele and Christopher Wilkinson, best known for the two ponderous biopics "Ali" and "Nixon," deliver a film awkwardly composed.
    Read full review
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