User Score
5.0 out of 10

Mixed or average reviews- based on 62 Ratings

User score distribution:
  1. Positive: 28 out of 62
  2. Negative: 26 out of 62

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  1. Aug 17, 2012
    10
    This review contains spoilers, click expand to view. After watching Bel Ami, Robert Pattinson returns in this new Cronenberg movie with Cosmopolis, a movie that be based on the Don DeLilo's book. The story of Cosmopolis is the next, the billionare Eric Parker (Pattinson) rides slowly across Manhattan in his limousine that he uses as his office while on his way to his preferred barber, even though there are traffic jams. The development of the story is very interesting, have much impressive moments. The Pattinson's performance is really amazing, after we watch he on Water for Elephants, Remember Me and Bel Ami we watch that this is his best performance. The screenplay is great. Cosmopolis is an amazing movie. Expand
  2. Sep 5, 2012
    10
    Pinteresque, Beckettian, unreal, surreal and closer to a stage play than cinema, Cronenberg's slick, cerebral, cold and topical masterpiece defines the 21st Century Absurd.
  3. Nov 15, 2012
    9
    A strange, polarizing film. Aesthetically pleasing, intellectually stimulating. The performances are uniformly solid, with Robert Pattinson in particular having great scene presence. The rapid dialogue is cold and didactic and sure to leave many viewers uninterested, but somewhere in the unending verbal masturbation is a story being told.
  4. Feb 23, 2013
    10
    The only, and tragic, flaw of this film is the great demands it places on the few this film is enjoyably exhausting, abstract, and layered so thickly with meaning and purpose. Cosmopolis is one of the most under appreciated film of its year, and a film that shouldn’t be watched just once.
Metascore

Mixed or average reviews - based on 35 Critics

Critic score distribution:
  1. Positive: 20 out of 35
  2. Negative: 3 out of 35
  1. Reviewed by: Joe Williams
    Sep 7, 2012
    63
    The rapid dialogue is dry and mannered, like a David Mamet play, there's virtually no story and Cronenberg's visual scheme is cold and claustrophobic.
  2. Reviewed by: Mike Scott
    Sep 7, 2012
    40
    Alas, in Cronenberg's hands, it just comes across as cold and lifeless and exhausting.
  3. Reviewed by: Stephanie Merry
    Aug 30, 2012
    50
    It feels like each and every moment bursts forth with urgent dialogue, and yet what does anyone actually say?