- Studio: American Broadcasting Company (ABC)
- Release Date: Apr 12, 1996
- Critic Score
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100As profound and intelligent as it is moving, and that makes this memorable motion picture one of 1996's best.
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90Intelligent, involving and serious, it is as honestly emotional as Hollywood allows itself to get, a story of the search for wartime truth whose own concern for the genuine makes all the difference.
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88In Washington's haunted eyes, in the stunning cinematography of Roger Deakins (Fargo) that plunges into the mad flare of combat, in the plot that deftly turns a whodunit into a meditation on character and in Zwick's persistent questioning of authority, Courage Under Fire honors its subject and its audience.
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88The end of the film understandably lays on the emotion a little heavily, but until then Courage Under Fire has been a fascinating emotional and logistical puzzle--almost a courtroom movie, with the desert as the courtroom.
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88Denzel Washington is riveting.
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83A large-scale military drama with a quiet, almost mournful center.
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80A sober, intelligent drama with surprising integrity.
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80This is - gasp! - a Hollywood movie actually daring to bare its teeth at silly American flag-waving.
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80Despite its underlying predictability, Courage Under Fire manages warmth, intelligence and a healthy share of surprises.
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80Edward Zwick's high-minded new outing offers plenty of old-fashioned movie virtues such as believable action, plausible psychology, fully played-out confrontations and honest emotions.
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80A downright entertaining combo of mystery, melodrama and action adventure.
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80This is a good, solid, intelligent drama about the ambiguities of what does and doesn't constitute courage under fire
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75Edward Zwick directed this reasonably thoughtful drama, helped by Denzel Washington and Meg Ryan in the main roles.
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75A film that wins on 'Courage' of its convictions. {12 July 1996, p. D1]
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75At the end of Courage Under Fire, you feel torn between admiration and annoyance with the filmmakers.
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While the account of Walden's heroics doesn't necessarily move from legend to fact, it does push the bounds of truth and raise interesting questions about the function of truth for the survivors of war.
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60Patrick Sheane Duncan's script deftly weaves together the stories of Serling and Walden, and Zwick remarkably sidesteps the trap of sticky sentiment--an idea further carried forth by Ryan's admirably against-type (and shamefully unsung) performance.
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60The film seems to want us to pin a medal to its own chest.
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60I sat through "Courage" with interest, but I wasn't particularly moved or riveted with suspense.