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88All the time Phil and Claire seem like the kind of people who don't belong in a screwball comedy. That's why it's funny. They're bewildered.
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88This is the rare screwball comedy that is superbly paced, cleverly plotted and hilarious from start to finish.
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75In addition to Carell and Fey, Date Night boasts a deft supporting cast...Best of all are a very droll James Franco and Mila Kunis as the downtown hipsters for whom the Fosters are mistaken.
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75Best of all, the filmmakers know when to pull the plug. Date Night clocks in at 88 minutes and would not have been as funny at 89.
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75Regardless of the silliness of the situation -- or, in truth, because of it -- they're a joy to watch.
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75For this 21st-century Nick and Nora Charles, the flame is kept alive despite his nighttime anti-snore nose strip and her nighttime bite guard -- thanks to a shared appreciation of the hilarity of nose strips and bite guards.
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75The movie knows enough, most of the time, to just let the funny people be funny.
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70These talented performers star in two of the wittiest, most sophisticated sitcoms on the air, but for this movie pairing they're stuck with an endlessly silly plot line and overblown physical mayhem that is instantly forgettable. The fact that they make it so funny nonetheless is a testament to their abilities.
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70It's cast, down to the smallest role, with genuinely funny performers, people who understand how to time a joke, deliver a setup, underplay a deadpan glance.
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70It's a lively, often astute piece of marital sociology wrapped up in an action frolic involving an extremely average New Jersey couple.
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70An uncommonly engaging date movie.
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70Watching these two intensely likable comedians work together is a special pleasure.
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68Date Night isn't great; it's not really going for "great." But it's a well-executed comedy with a warm but not cloying center.
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67There's something genuine and more than a little sad at the core of Levy's poorly staged, modestly amusing comedy, but it isn't the part that involves flash drives, blackmail, and glowering, gun-toting bad guys.
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63Stay for the outtakes – they're improv delights, suggesting the movie that might have been if they had just left it all to Carell and Fey.
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63Date Night is a product substantially inferior to the material routinely finessed by Carell and Fey, on their respective hit shows, into comic gold.
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63Once the guns come out, and the car crashes begin, Date Night loses the funny.
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63Basically a PG-13 version of "After Hours," with more than a bit of "The Out-of-Towners" thrown in.
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63No one is going to remember the movie in a month, but for Mommies and Daddies seeking a night's break from their children, it's adequate entertainment.
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63Fey flirts and Carell kvetches, Walhberg goes shirtless and Liotta eats Italian. No surprises there. What really clicks is the couple at the core.
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60The trouble is, too much of director Shawn Levy's '80s-ish lark is filled with noise, when it really needed more quietly silly stuff.
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60It's an uneven proposition, veering wildly from genuinely funny scenes directly into ridiculousness and back again. But every time Shawn Levy's movie makes that journey, it's harder to get back on solid footing.
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60It makes you laugh in fits and starts, but more often it feels toothless and exhausted, the kind of project that exists to give Ray Liotta work.
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60As a pleasant domestic comedy/action-adventure that, refreshingly, doesn't seem to hate its characters, Date Night is just fine. But is it good enough to merit hiring a baby sitter? I'd rather have some potato skins at the Teaneck Tavern.
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60Movies are the lesser medium for Fey and Carell. They're the stars of two relatively sophisticated, media-savvy network sitcoms, yet their big-screen comedies are retro.
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60All this is good as far as it goes, but the problem is the good parts don't last long enough.
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50Date Night manages to live down to its store-brand title.
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50All that starring talent isn't exactly wasted here; it's just diluted, watered down enough to demote "really funny" to sort of funny, now and then, here and there, some of the time. Hey, it's the movie biz.
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50This shrill caper is more like a blind date between fingernail and chalkboard.
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50Date Night, like so many other films of its type, too often relies on words, catchphrases and inflections that signify a generally accepted notion of funniness rather than being, you know, actually funny.
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50Director Shawn Levy delivers his usual middle-of-the-road product.
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42Date Night is really just another example of what happens when funny sitcom stars are lumped together in a movie, believing that laughter exponentially increases with screen size.
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40Never breaks out of its dullsville rut.
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A jumble of genres, tones, and styles, Date Night ultimately strains to be a serious movie about marriage, with one joke: that, even when surrounded by excitement, Claire and Phil revert to being dull. But in practice, their dullness is just dull.
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40A clunky and obvious comedy.
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25Why are Steve Carell and Tina Fey wasting their time, and ours, by appearing in the miserable comedy Date Night?
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0A broadly promising premise and well-matched stars prove no match for an abominably unfunny screenplay and the work of the poisonously untalented Shawn Levy--arguably the worst director making big-budget studio films today.
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User score distribution:
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Positive: 44 out of 57
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Mixed: 6 out of 57
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Negative: 7 out of 57
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