Metascore
73 out of 100

Generally favorable reviews - based on 17 Critics

Critic score distribution:
  1. Positive: 16 out of 17
  2. Mixed: 0 out of 17
  3. Negative: 1 out of 17
  1. Reviewed by: Holly Willis
    90
    The result is fascinating, whether you're smitten by him or his work, or simply intrigued by contemporary thought.
  2. 90
    As the film takes shape, the form and the subject develop a fascinating symbiosis, with Derrida cast as an active participant in the deconstruction of his own documentary.
  3. 80
    Even if you have no idea what French philosopher Jacques Derrida's theories are about, allow your mind the chance to be teased and twisted by the unique new documentary.
  4. 80
    The movie is ultimately about the philosopher's personality -- if you loved "Lingua Franca" (and what lumpen academoid did not?), you'll certainly dig Derrida.
  5. An absolutely first-rate documentary.
  6. 80
    The adoring and adorable documentary on the philosopher Jacques Derrida.
  7. Reviewed by: Dennis Harvey
    80
    An affectionate but aptly complex view of one of our epoch's great philosophers.
  8. Challenging and fascinating -- everything you didn't know you didn't know about Derrida's life and work.
  9. If you think 85 minutes devoted to a "difficult" French philosopher is bound to be either abstruse or watered-down middlebrow stuff, think again.
  10. Who would have guessed a documentary about Derrida, the great French philosopher of deconstruction and "différence," would be so entertaining?
  11. The sort of film one should probably see either a half-dozen times or not at all. It's a complex, highly ambitious documentary that aptly reflects its subject, contemporary French philosopher Jacques Derrida.
  12. 75
    The result puts a human face on Derrida, and makes one of the great minds of our times interesting and accessible to people who normally couldn't care less.
  13. Nicely photographed and beautifully scored.
  14. The picture's charm lies in the continuing by-play between the filmmakers and their subject, with each side doing its best to deconstruct the other.
  15. Reviewed by: Ken Fox
    70
    Overall, the filmmakers are a little too reverent -- it would have been interesting to hear Derrida respond to criticism leveled against deconstruction as an academic methodology -- but then again, they're not entirely in control here.
  16. 67
    A charming but only partly satisfying portrait of its subject.
  17. For those unfamiliar with the notoriously camera-averse philosopher and his thoughts, Derrida will most probably prove to be an unenlightening bore.