- Studio: Magnet Releasing
- Release Date: Feb 5, 2010
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Pitched cannily at World Beat fans as well as martial-arts zealots, this Luc Besson production aims to please and nails its targets with more speed and style than most of its higher-priced competition.
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75This is a hot modern martial art. Not only do the shots look convincing, not only are they held long enough to allow us to see an entire action, but Belle in real life does a version of this stuff.
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75With a thumping score and whirling cinematography, District 13: Ultimatum delivers two or three awesomely choreographed chase-and-fight-and-chase-and-fight-again sequences. The dialogue (in French, with subtitles) is not this movie's strength, nor should it be.
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Awesome, awesome action. Skimpy, skimpy plot.
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75There’s no reason a conspiracy this outlandish should work twice. But it’s so hilariously within the realm of plausibility that it does.
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75It’s easy to call this film a video action game starring real people, but that “real” part means a lot.
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This time, with Besson scripting / producing and Patrick Alessandrin directing, it amounts to a raucous and colorfully junky helping of seconds.
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70It’s pleasurable nonsense and another reminder that one of the great pulls of cinema is the spectacle of other bodies in blissful motion.
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70The fight sequences (choreographed by Raffaelli) are especially creative, with the combatants using any available object, including a priceless Van Gogh painting, to get the job done.
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This sequel to the French actioner "District B13" (2004) offers more of what made the original such a sublimely stupid pleasure.
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67Due in large part to its cultural relevance, this is also one of the few sequels that nearly succeeds in topping the original.
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63The best Parisian action movie of the week is District 13: Ultimatum, a serviceable thriller with a lefty message.
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60There's little difference between the first and second movies -- both written by Besson -- so the perfunctory story line will feel familiar to fans. But the action, and the head-spinning stunts of those agile lead actors, will never get old.
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60The dialogue and storyline are both a little on the clunky side, but the action excels.
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60Somewhat underwhelming sequel.
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60It’s campier than its predecessor, but its gung ho union of black, white, and Asian gangs against reactionaries who’d destroy them is a virtuosic assertion of punky Parisian multiculturalism.
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58More of the same, only more. Yet here, “more” means a more needlessly convoluted plot, a more cartoonish parade of ethnic stereotypes, and more leaden political metaphor than viewers can digest.
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50Though it fails to live up to its dynamic predecessor in almost every way, District B13: Ultimatum should still be enough to satisfy the earlier film’s small but faithful core of American fans.
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Works only when at full sprint.