- Studio: Palm Pictures
- Release Date: Dec 10, 2004
- Critic Score
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100The overall mood is stately and melancholy, the selective use of color is ravishing, and some of the natural views are breathtaking.
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83As an exception to the norm, Kitano doesn't appear this time, confining himself merely to writing, directing, and editing.
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80The cinematography is stunning, particularly where Matsumoto and Sawoko walk through the four seasons of life.
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80Kitano's gentle side reigns in Dolls, a gorgeous meditation on love and devotion, but the film's hypnotic tone and beautifully formalized color scheme makes it unlike anything he's done to date.
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75Dolls isn't a film for everybody, especially the impatient, but Kitano does succeed, I think, in drawing us into his tempo and his world, and slowing us down into the sadness of his characters.
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75A work both rigorously stylized and deeply personal. Devotees of Kitano and Japanese cinema will admire Dolls.
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75Lush and poetic, Dolls proves once again that Kitano is one of the world's most original filmmakers.
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Colorful and sweeping.
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75Dolls is an art film, and a languid, inexplicably haunting one at that.
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70The movie's pace is appropriate to its mood, which is crisp, melancholy and gently cruel.
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70With some staggeringly beautiful photography of cherry blossoms and scarlet autumn leaves, Dolls is so enthralled with its own cinematography that it can't bear to edit itself, and during the autumn and winter segments of the bound beggars' journey, it almost reaches a standstill.
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70Despite an excessively meandering final act, the drama's three intertwined stories have a cumulative impact, their affecting sadness matched by meticulously composed visual poetry.
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63Rife with beautiful imagery and loads of symbolism, though none of the stories is particularly compelling on its own.
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60Whether this measured exercise in romantic melancholy moves you to tears or bores you to them is probably a matter of personal susceptibility to the sting of bitter regret for love lost.
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50Dolls risks the bank on symbology as gaudy as teen anime and as heavy as a stone temple.
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Dolls soon becomes overloaded with symbolism, and consequently suffocates the audience.
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