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75It's fractured and maddening, but it's alive.
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70A lollapalooza of delectable cheap thrills.
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63The movie is full of possibilities. Frustratingly, only a few of them are realized.
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Among the year's ultraviolent pulp movies, "Sin City" was prettier and "The Devil's Rejects" more focused.
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63It now seems that style has completely replaced substance in Scott's films, and he leaves gaping holes in his heroine's character.
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60Individual sequences are all impeccably assembled, Rourke's grizzled vet chips in some memorable deadpan dialogue.
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60It's good sleazy fun for a while, jacked up with an assortment of edgy visuals, but the greenish yellow tint favored by action director Tony Scott is a good metaphor for the movie's jaundiced sensibility.
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50Thanks to dynamic performances by Keira Knightley, Mickey Rourke, Edgar Ramirez and a strong cast -- sometimes all but buried beneath irksome stylistic flourishes -- this dark and absurd melodrama certainly has raw energy.
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50It's not so important to follow plot twists--I couldn't--but the emotional thrust Kelly and Scott want to drive home is plain: Once Domino is asked to use guns and knives and nunchucks for a purpose outside the law, she's alarmed, appalled, aghast.
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50Features one of the more pointless cameos ever when Tom Waits shows up abruptly in the desert to spout mystical nonsense about Domino trading her life for somebody else's. The scene has absolutely no place in this jarring, violent movie; Waits is just another of Scott's distractions.
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50Yes, the film is interesting, but it doesn't work.
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50When a film is more conducive to a scholarly dissection than a consumerist examination, the film is incredibly clever, pragmatic, or pretentious. In the case of Domino, it's all of the above.
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50Domino should have been a terrific anti-heroine, but the movie never gets deep enough inside this walking time bomb to reveal what makes her tick.
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50The picture is an exercise in exploitation joi de vivre, and your enjoyment of it will depend on your tolerance for shameless, reckless, unredemptive violence with relatively little artistic or spiritual value. After all, there's a time and a place for everything.
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50Sure, it's amusing, but it isn't much more.
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42Given the decibel level of this movie, it's a miracle that these guys were able to give creditable performances. To give you an idea of the magnitude of the achievement: Imagine delivering a stirring rendition of the Gettysburg Address while standing under Niagara Falls.
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40The reality-show producer played by Walken is described by his assistant (Suvari) as having the attention span of a "ferret on speed." I'm sure he would love Domino.
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40Scott's lack of faith in the script is all too evident -- in most scenes, the lines are so dull, he has to up the ante of his already-infamous attention-deficit style.
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40So over-plotted that it's borderline incomprehensible.
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40Satisfying neither as character study nor as straight-ahead actioner.
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40It's like a ferret on crystal meth that belatedly discovers ecstasy, and it's a tiresome trip either way.
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38The movie is quite off its rocker: Jerry Springer, Chrisopher Walken, Tom Waits as a roadside prophet, a miscast, nervous Lucy Liu as an FBI agent -- it's a feverish, violent jumble that's shot as if high on mescaline -- the drug, not the salad.
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38Domino is less a movie than a hyperkinetic slide show - presented during a nuclear attack.
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38You can't accuse this film of bogging down in cheap psychology, yet you come out dissatisfied and without a clue about what made this person tick.
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38I suspect Scott sees Domino as the ultimate provocation, his way of grabbing Hollywood by the throat and shouting, "You want reality??! I'll give you REALITY!!!" Sort of.
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38Scott means for his entertainment package to be hip, hysterical fun. But his stylistic embellishments and indiscriminate appetite for sensation crowds his title character right out of the film.
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38The truly appalling thing, though, is the stupidity of the screenplay by Richard Kelly.
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30Domino de-emphasizes the human element--not to mention such niceties as plot and clarity--to such a degree that only those who show up purely to watch combustibles go "boom" won't feel insulted.
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30The script, allegedly by "Donnie Darko's" Richard Kelly, throws together tangentially related plots like cats in a sack.
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25Two hours of senselessness and overkill, decked out in lurid, bad-trip colors.
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25His [Director Tony Scott's] pornographic lust for bloodletting, gunplay, and out-of-control camerawork far exceeds his abilities to tell a story.
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25The movie is trash shot to look like art imitating trash.
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25In small doses, this looks kind of cool. For two hours, it's excruciating.
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0Staggeringly awful.
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0Domino seemed to me the end of the world for movies--a glimpse of a future so excruciating that I'd prefer to take my chances with Hitchcock's eye-gouging avians.
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0Domino is a new definition of a snuff movie. It snuffs out every vestige of feeling.
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User score distribution:
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Positive: 15 out of 29
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Mixed: 2 out of 29
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Negative: 12 out of 29
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DavidV.10Probably the best movie of the millenium
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10
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LukeR0Pure uncut garbage. This film is so bad it's shocking.