- Studio: Tribeca Film
- Release Date: Jan 13, 2012
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25Coming across as a promotional showcase for a gaggle of young up-and-coming singer-actors, Don't Go in the Woods tethers together numerous indie-rock musical numbers with a backwoods-horror-film framework that's the definition of an afterthought.
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30An undercooked, "Glee"-like hybrid of grating indie pop songs and forest slasher flick.
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Jan 12, 201240The actors are all natural, but no character is developed enough for you to care who is killed next. There's not much suspense, no inventive pacing, no wink-wink irony, no cinematic gimmicks, not much mystery and no awful gore.
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20The acting and general schlockiness make "Friday the 13th" look like "Macbeth," but it's clear D'Onofrio just wants to hang out. And actually, a lot of the music is really good. Let's hope next time, he decides to make something like "The Commitments" instead.
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60Unfortunately, outside of the proxy satisfaction it will give those who are dying to see the grim reaper let loose on the set of a very special episode of "Glee," the pleasures of Don't Go in the Woods can't quite compensate for its straggly bits.
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42Give Don't Go In The Woods credit for not being a wholly conventional horror movie. Debit it for not caring about horror in the first place.
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30The forced horseplay is entirely without ensemble chemistry, probably because the leads were hired principally as singers/musicians, as this, the directorial debut of former Law & Order: Criminal Intent star Vincent D'Onofrio, is that rarest of mongrel movies: a slasher/musical.