Metascore
57

Mixed or average reviews - based on 17 Critics

Critic score distribution:
  1. Positive: 10 out of 17
  2. Negative: 3 out of 17
  1. Indeed, it is a uniquely dreamlike, lushly romantic, highly erotic and prototypically Coppolaesque version of the story - a movie that does for the vampire genre what "The Godfather" did for the gangster saga, and what "Apocalypse Now" did for the war movie: raises it to the level of grand opera. [13 Nov 1992, p.5]
  2. Reviewed by: Staff (Not Credited)
    88
    Francis Ford Coppola's lavish version of Bram Stoker's classic novel is a visual cornucopia, overstuffed with images of both beauty and grotesque horror.
User Score
7.4

Generally favorable reviews- based on 61 Ratings

User score distribution:
  1. Positive: 7 out of 11
  2. Negative: 2 out of 11
  1. Oct 30, 2010
    4
    This Dracula is a bit of boring one. The ultra-theatrical bits (while sometimes very unique) are insanely annoying, the screenplay is terrible, the acting is poor and the effects are hilarious. Full Review »
  2. Sep 27, 2013
    8
    Coppola does pretty well with this movie, and includes all he original Dracula elements into this on, except he makes it even more enticing and dramatic. Full Review »
  3. Feb 2, 2013
    9
    Francis Ford Coppola gives the ageless vampire a terrifying new update in 1992's DRACULA. Coppola uniquely adapts the letters and journal entries from the original novel onto the screen in this stylish retelling. DRACULA may be the single most horrifying film of the 90's. Its lavish set pieces drip Gothic allure while its abominable creature designs have escaped from a world of nightmares. Why, then, did Coppola decide to drag it through the mud by hiring such an inappropriate cast? Keanu Reeves and Winona Ryder couldn't have been worse choices as Jonathan Harker and Mina Murray. Judging by the film, one might think that Dracula drains his victims of talent. Their despondent performances dispel the romantic fantasy that is unraveling all around them. The great Anthony Hopkins has his hands in the matter too, with a boisterous take on Professor Van Helsing that comes across as a drunken fool. Despite his dramatic overacting, Gary Oldman proves himself the actor of the bunch, and puts forth a performance that is chilling to the bone. Just one look at his withered old Count is enough to make the skin crawl, and the buxom brides that stalk his chambers are none less frightening. From a visual standpoint, Francis Ford Coppola has directed a masterpiece of Gothic cinema, but for all of its lurid style and grace, DRACULA lacks soul.

    -Carl Manes
    I Like Horror movies
    Full Review »