- Studio: DreamWorks SKG
- Release Date: Dec 15, 2006
- Critic Score
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100Dreamgirls is one of the best movie musicals in memory.
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100Hudson, taking over the role of Effie played on stage by Jennifer Holliday, is in charge of Dreamgirls from her opening scene, blowing away Grammy-winner Beyoncé Knowles, Oscar-winner Jamie Foxx and anyone else who gets in her way.
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100The ovation that Hudson wins from the movie's audience is one of those miraculous moments when a performer's artistry breaks through the screen and makes you feel part of a live audience. I haven't experienced anything like it since Barbra Streisand sang "My Man" at the end of her astonishing debut in Funny Girl.
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100The movie belongs to Hudson as the proud, self-destructive Effie. When she's center stage, Dreamgirls transports you to movie musical heaven.
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100The sigh you will hear across the country in the next few weeks is the sound of a gratified audience: a great movie musical has been made at last.
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91Though it seems long and its pace occasionally lags, it certainly struck me as a well-mounted, gloriously eye-filling and often exhilarating entertainment that brings back some of the delicious excitement of the great movie musicals.
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90Dreamgirls is the entire musical package, a triumph of old school on-screen glamour, and we wouldn't want it any other way.
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90For all its flaws, Dreamgirls is what this holiday season needs. It's a big, fat, luscious movie in which no one is tortured, murdered, or mutilated (honestly, how many recent films can you say that about?).
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90Finally. After "The Phantom of the Opera," "Rent" and "The Producers" botched the transfer from stage to screen, Dreamgirls gets it right. Bill Condon's adaptation of the 1981 show about a Motown trio's climb to crossover stardom pulls off the fundamental double-act those three musical pics all missed: It stays true to the source material while standing on its own as a fully reimagined movie.
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Elegant, unabashedly theatrical, and packed with lush concert scenes and period-perfect costumes.
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89Even when it feels packaged like a holiday entertainment that aims to please, watching Dreamgirls is like being on cloud nine.
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88This baby dazzles like nothing else anywhere.
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88Bill Condon's screen adaptation of the 1981 Broadway sensation is, if possible, as dazzling and energizing as its source.
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88Murphy is a revelation as James, and what American Idol castoff Hudson lacks in technical acting craft she makes up for in raw energy and a voice that could melt the rhinestones off a beauty queen. To complain that Beyonce pales by comparison is to fault her for nailing the essence of the infinitely malleable Deena.
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88Dreamgirls is good and at times it touches greatness.
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88The reason to see Dreamgirls is what hasn't been advertised - a film that in spite of its shiny veneer actually hits all the high notes through its underlying rawness.
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83Dreamgirls is the rare movie musical with real rapture in it.
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83The film is like a lot like Effie: It occasionally vexes or disappoints, but -- I am telling you -- it dazzles.
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80If there is a disappointment, it is this: The anticipation may have exceeded the realization. It's a damn good commercial movie, but it is not the film that will revive the musical or win over the world.
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80Ardent, accomplished, overwhelmingly emotional, with something to say and a dream cast saying it in song. Bravo.
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Condon grasps what has eluded most of his contemporaries: Anyone can give us the old razzle-dazzle, but what makes a movie musical soar is nothing more or less than the quiet exhilaration of two individuals on the screen, enraptured by song.
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80It's great to see a movie musical with a smart sense of the genre. All Dreamgirls lacks is the amazing energy and passion of the original.
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75Dreamgirls is performed, shot, edited and packaged like a coming-attractions trailer for itself. Ordinarily that would be enough to sink a film straight off, unless you're a fan of "Moulin Rouge." But this one's a good time.
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75This glitzy, infectious and unusually heartfelt musical doesn't always hang together as a satisfying narrative -- too many characters compete for too little screen time -- but its pleasures are numerous enough to override its flaws.
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75Dreamgirls may be good enough to win the Oscar for Best Picture - great costumes, sets and choreography help - but despite stellar work by erstwhile "American Idol" contestant Hudson and Murphy, it's far from a great picture.
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75Indeed, without Hudson's magic, without that extra feeling that comes from seeing the launch of something extraordinary, Dreamgirls might have been a break-even affair. The film has strong roles, good actors and a compelling story that takes place over the course of 10 or 15 years. But it has, with only a couple of exceptions, a pedestrian score that sounds like generic show-music schlock and lyrics that are not distinctive.
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75Jennifer Hudson is the heart and soul of Dreamgirls. When she's on the screen, the movie shines. When she's not, the whole endeavor suffers.
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75The film soars in the right places, especially when powerful newcomer Jennifer Hudson sings, and the charismatic supporting cast keeps it chugging forward.
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75Without Hudson, Dreamgirls would be a whole lot less exciting. Knowles, the ostensible star, is rather bland, and Foxx, surprisingly, seems miscast. Murphy is wonderful, but that should be no surprise.
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70She's (Jennifer Hudson) the best part of the show by far, but the writer-director Bill Condon, who wrote the screenplay for "Chicago" four years ago, has done the original "Dreamgirls" proud without solving its dramatic problems.
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60The problem with "Dreamgirls" -- and it is not a small one -- lies in those songs, which are not just musically and lyrically pedestrian, but historically and idiomatically disastrous.
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50It's taken Dreamgirls 25 years and several false starts to get to the screen, so it's a shame to see what a rush job it feels like.
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50Dreamgirls is a better musical than "Chicago" or "Rent," but then, that isn't really saying much.
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50I know I'm going to bring down the room by saying I think it's just okay. Well, Jennifer Hudson is more than okay.
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50Even with Hudson's triumphant arrival and an overall fizzy mood of singing, dancing, pop nostalgia and camp, Dreamgirls is an uneven crowd pleaser.
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40There's so little love to be found in Dreamgirls. It's a product that promises magic, and yet gives us nothing to live on.
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33It's the ultimate pop-culture sacrilege: a movie about soul music that has no soul.
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User score distribution:
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Positive: 87 out of 122
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Mixed: 17 out of 122
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Negative: 18 out of 122
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