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Universal acclaim - based on 16 Critics What's this?

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  • Starring: Dan Aykroyd, Jessica Tandy, Morgan Freeman
  • Summary: This adaptation of Alfred Uhry's Pulitzer Prize-winning play looks at the 25-year relationship between an elderly Jewish woman and her African-American chauffeur.
Score distribution:
  1. Positive: 14 out of 16
  2. Negative: 0 out of 16
  1. Reviewed by: Roger Ebert
    Feb 20, 2013
    100
    Beresford is able to move us, one small step at a time, into the hearts of his characters. He never steps wrong on his way to a luminous final scene in which we are invited to regard one of the most privileged mysteries of life, the moment when two people allow each other to see inside.
  2. Reviewed by: Jay Carr
    Feb 20, 2013
    100
    Driving Miss Daisy, about the deepening relationship between a Jewish matron in Atlanta and her black chauffeur, is a luminous joy of a film, heartbreakingly delicate, effortlessly able through indirection to invoke the civil rights era without ever once slipping into portentous pronouncements. [12 Jan. 1990, p.35]
  3. Reviewed by: Philip Thomas
    Feb 20, 2013
    80
    It gets to its hugely emotional destination without ever having to put the foot down; a poignant and provocative road movie.
  4. Reviewed by: Jonathan Rosenbaum
    Feb 20, 2013
    50
    The three actors manage to get a lot of mileage out of the material: although one never quite believes that Tandy's character is Jewish, she is remarkable in every other respect, and Freeman and Aykroyd are wonderful throughout.

See all 16 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Good movie which depicts the friendship between two people who are very different, yet very similar in many ways. Morgan Freeman's character (Hoke) is an African-American driver who never attended school, but has wisdom and common sense. Jessica Tandy's character (Miss Daisy) on the other hand is a rich, educated Jewish woman. Through the film these people slowly open up to each other and form a bond. The movie also depicts the many racial and religious issues of the 1950s America. It is worth a look, but I am not sure it deserved 4 Oscars (Jessica Tandy's and Morgan Freeman's performance were great though). Dan Aykroyd's character felt underdeveloped, though He was in a sympathetic role. Overall worth a look, but nothing outstanding, just good. Expand

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