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60The chaotic, brutal iconography of Italian Westerns is put to novel use in this time-traveling, self-referential, hugely ambitious story of American brothers.
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60It's too arty to cut it as a violent action pic and too gore-spattered to appeal to the arthouse crowd.
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50Its most impressive aspect is its visual style, patterned to some degree on Sergio Leone westerns. A picture this long and dense should work harder to be cogent and coherent, though.
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50Three movies in one: a spaghetti Western, an urban drama and a historical epic. All of them suffer from self-indulgent direction, a convoluted script and awkward acting.
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50Manchevski has a rare visual intelligence, whether filming the face of a dying woman or Times Square's reflection in a windshield. But in reaching for a cubist style of storytelling, he sacrifices character and motivation.
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50A potent, assured and ambitious piece of filmmaking brought down by weighted dialogue and, playing Americans, the British actors Adrian Lester and Joseph Fiennes and the Australian David Wenham.
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30Whatever ghost-story intrigue the film musters gives way to a tedious cycle of fighting, screwing, shouting and storytelling stuck together by two hours worth of hard-boiled dialogue gone gummy.
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30Dust is a bust, a big bad movie of the scope, ambition and bravura that could be made only by a talented filmmaker run amok.
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25Lurches so wildly and meaninglessly between genres and time frames that all it creates is motion sickness.