User Score
6.5

Generally favorable reviews- based on 121 Ratings

User score distribution:
  1. Positive: 85 out of 121
  2. Negative: 31 out of 121

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  1. Mar 27, 2011
    0
    This movie is so bad, it is not even worth writing a review about. It is beyond ridiculous. It looks like a home video, with bad dialogue and bad acting, freakish characters, no plot, no pace, no nothing. How can anyone give this a rave review ? I wonder why it is that you have to endure 99 **** movies, just to find one good one. It is like searching for the needle in the haystack. I think the problem is that with today's technology, everybody can make films, so there is a lot more crap out there than before, when studios had to think of something good, because it cost a lot of money to make films, and they had to make sure they would make it back. This film is the bottom of the barrel. Expand
  2. May 20, 2013
    1
    Here we go. And I thought "Natural Born Killers" was bad. I was glad that I had some cold drinks while "Date Movie" was playing, even gladder to turn it off.

    And now, possibly the worst film ever made, "Elephant".

    Don't read this if you have any intention of seeing this movie. I suggest you do something more rewarding though...have you clipped your toenails? You could also count the
    grains of salt in a salt shaker, that could be okay.

    I wasn't offended by the content, but by the complete banality of this movie. I know, I know, it was supposed to be like "real" life. It's supposed to be "art". But just because something is filmed differently doesn't mean it's any good.

    Here is the story (you don't need to read this if you know anything about the Columbine school shooting): It's a regular day at high school, until two misfit kids bring in guns and kill a bunch of people. There you go.

    This movie was LAZY. There was not one good character in this film. Of course, this was also for the purpose of being more "real", but come on. The "protagonists" were cookie cutter stereotypes the artsy photographer, the jock, the bulimic girls, the cafeteria workers smoking weed, etc...etc........And the acting! Yikes. The scene at the end, where the blond kid is "warning" others not to enter the school? I doubt the script's instructions said "With little-no urgency". Think "Willy Wonka & the Chocolate Factory" (Gene Wilder) in the scenes where the kids are going to so something bad and Wonka goes, "Oh. no. stop. don't."

    Apart from the piano playing (and even malicious teen boys who are into Beethoven is NOT an original idea, hello, Clockwork Orange), the boys who bring the guns into the school at the end are such a cliche slightly less good looking than the other kids, dressed in military clothes, into Nazis ("Heavens to Betsy! They're watching videos of Hitler! They're EVIL, I just caught on!") and violent video games, homosexual tendencies (of course the homosexual kids HAVE to be the f***ed up outcasts, right?)...it wasn't even clear that they were being antagonized at school apart from a spitball being thrown at one of them at one point.

    Instead of, well, anything, we are subjected to watching the back of some kid's head to the soundtrack of Beethoven's ENTIRE "Moonlight Sonata" as he walks through his (very extensive) high school grounds. We are subjected to the same scene played repeatedly through "different perspectives". We are shown a bunch of clouds throughout Beethoven's "Fur Elise." Please.

    And let's not forget about the movie's "messages", which were about as subtle as a sledgehammer. Real art raises, and even answers questions. This movie just insulted my intelligence. Yes, guns are WAYYY to easy to obtain in the USA (although I don't think Van Sant did his research for the scene in "Elephant"). Yes, no one takes the time to KNOW these kids, and we'll never know the reason for this senseless tragedy. Yes, parents should be more present in their kids' lives. Yes, violence is awful and pointless. Oh yeah, and school shootings are X-tra baaaad.

    Gus Van Sant just took advantage of a subject people were sensitive about. Gus Van Sant capitalizes on real tragedy with this thing.

    It had nothing to say. It's just awful and possibly insulting for people who had to deal with these issues in real life, and not on some cushy, pretentious art-house movie set.
    Expand
  3. Mar 31, 2013
    2
    A glorified re-enactment which offers little more than a Wikipedia entry on the matter.
  4. Jul 23, 2013
    4
    I pretty much liked the style of the film, I thought it was interesting. But at the end of the movie, there were too many walking sequences, and too little character development. I felt like they could have done more with it. At least, that's my opinion.
Metascore
70

Generally favorable reviews - based on 37 Critics

Critic score distribution:
  1. Positive: 25 out of 37
  2. Negative: 2 out of 37
  1. 60
    In the end, this odd, beautiful movie is remote and more suggestive than satisfying--a coolly impassive film about catastrophe made at a time when some of us might prefer an attempt at explanation. And yet Elephant is something to see. [27 October 2003, p. 112]
  2. It’s just another example of art-house hokey-pokey. Amazingly, this film won both the Palme d’Or and Best Director Award at Cannes, beating out, among others, "Mystic River."
  3. Reviewed by: Glenn Kenny
    100
    I haven't been crazy about a lot of Van Sant's recent work, but what he does here is simply astonishing. [November 2003, p. 25]