- Studio: Columbia Pictures
- Release Date: May 24, 2002
- Critic Score
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38It's surprising to see a director like Michael Apted and an actress like Jennifer Lopez associated with such tacky material.
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38One of those "Lifetime"-esque horror stories of evil husbands in the suburbs.
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38Too much. The hackneyed story about an affluent damsel in distress who decides to fight her bully of a husband is simply too overdone.
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38Shamelessly exploits the horror of domestic violence for melodramatic, cheap thrills.
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38When a movie ostensibly on a serious subject is so God-awful silly, is it impossible to be offended, or impossible not to be?
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38Manipulates the audience.
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33Taking the film as a thriller, it's neither exciting nor scary, hampered by a middle that plays much too long.
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30There's some fun to be had in seeing two of TV's resident sweetie pies, Campbell and ER's Noah Wyle, play unrepentant sons of bitches, but it's not enough.
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30In the end you have to wonder why the highly reputed director Michael Apted ("Coal Miner's Daughter") and the gifted screenwriter Nicholas Kazan ("Reversal of Fortune") chose to go slumming in territory like this. They must have been offered wads of money to do the dirty job.
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30You probably saw this film the last time around, when it was called "Sleeping With the Enemy." This one merely adds a better car chase and more ass-kicking.
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25It's a cannibalization of "Sleeping With the Enemy," a not-so-good Julia Roberts film, with a ridiculous female-empowerment subtext and a relentlessly stupid script that goes nowhere you can't predict before the opening credits roll.
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25This particular script is deplorable. It's a pure cribbing of Ron Bass' screenplay for "Sleeping With the Enemy," which was no prize itself.
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25So poorly constructed and so elementally banal that it's a shock the script was written by the same guy (Nicholas Kazan) who wrote such taut thrillers as "At Close Range" and "Reversal of Fortune."
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20Enough is a very bad film and so was Sleeping with the Enemy, but at least that film had a first act.
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20Say the word, girl (Lopez), the next time you're offered one of these barrel scrapers: Enough!
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10Mechanical revenge fantasy that skirts every serious issue it raises along a slick, cynical trajectory.
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10In one respect at least, the film's idiocy works for Lopez: Every diva needs at least one camp classic on her résumé, and with Enough, she's scored a howler on the level of "Mommie Dearest."
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10Lacking a real actress, director Michael Apted is called upon to fudge the facts and make Slim's ordeal as taut as possible. He gets the job done, but the suspense scenes have a generic fright-by-numbers feel that tell us he's wearing his professional hat and knows it.
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0I think you'd have to be comatose or mentally incompetent not to find Enough ludicrous.
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0Clumsy, obvious, preposterous, the movie will likely set the cause of woman warriors back decades.
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0In terms of actual social conscience, the movie gets a demagogic, rabble-rousing F. It also gets a failed grade for honest writing.
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More interested in standard thriller effects than in giving us human beings to contend with. The audience I saw this with seemed to want to feel insulted, and this piece of crap delivered.
User score distribution:
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Positive: 14 out of 24
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Mixed: 1 out of 24
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Negative: 9 out of 24
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KarthikBS10It is an excellent thriller. A lesson to all the abusive husbands out there.
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AN5