Eros
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Metascore
51 out of 100

Mixed or average reviews - based on 22 Critics What's this?

User Score
6.5 out of 10

Generally favorable reviews- based on 8 Ratings

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  • Summary: Three visionary directors, three stories of love.

Critic Reviews

Score distribution:
  1. Positive: 4 out of 22
  2. Mixed: 15 out of 22
  3. Negative: 3 out of 22
  1. Christian Science Monitor
    Reviewed by: David Sterritt
    100
    The best is "Equilibrium" by Soderbergh, about a man being analyzed by a distracted shrink.
  2. Portland Oregonian
    Reviewed by: Shawn Levy
    67
    The young guns on board are Wong Kar Wai and Steven Soderbergh, and it's sad to report that they massively outshine the nonagenarian Antonioni.
  3. Village Voice
    Reviewed by: Michael Atkinson
    60
    The omnibus film usually saves its home run for the climax, but Eros begins with the best third, Wong Kar-wai's "The Hand."
  4. Washington Post
    Reviewed by: Ann Hornaday
    30
    In reality, Eros is a letdown, a collection of bagatelles that, with one exception, fails to live up to its promise.

See all 22 Critic Reviews

User Reviews

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Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Barbie
    6
    Anthology of 3 postmodern shorts from Wong Kar-Wai, Soderbergh, and Antonioni apparently ordered from most to least understandable. Wong';s "The Hand" features a great Gong Li, but overall it's much more simplistic than Wong's features. Soderbergh's "Equilibrium" is a piece of fantastic overlapping madness. But Antonioni's short is way, *way* too oblique; although it reminds me of "Close-Up," there is no meaningful revelation at the end, only naked Italian women.… Expand

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