- Studio: Lot 47 Films
- Release Date: May 18, 2001
- Critic Score
- Most active
- Publication
- Most clicked
-
70In his film's better moments, Kollek makes us laugh at these visions while also revealing their grace and frailty.
-
70An intimate, small-scale movie in the nicest sense.
-
70Boasts engaging characters, inventive situations and a series of satisfying punchlines that will send viewers out with a smile.
-
63As usual, Thomson steers right into the heart of vulnerability, with a painfully true performance as a guarded, confused soul.
-
63A warmhearted, hardworking little comedy that owes a lot of its charm to its modesty.
-
60One of those genially paced, character-driven indies, and succeeds as such very well.
-
50Despite a script that occasionally calls for some embarrassingly awkward lines, Kollek's cast generally acquits itself well.
-
40The film's power lies in the fact that the façade is crumbling on the actress even as she clings to it. That this is not a pathetic sight is due to the grit that we glimpse through the cracks. It's Barbie, becoming human.
-
Tries hard to be charming but succeeds only occasionally.
-
38There's nothing wrong with Fast Food Fast Women that a casting director and a rewrite couldn't have fixed.
-
38Kollek's fondness for whimsical plot turns adds still more random elements to a movie that at times seems edited by a blindfolded monkey.
-
38Painfully cute drama.
-
Dreary and dull.
-
30Yet another of Israeli-born filmmaker Amos Kolleck's pointless, meandering tales of eccentric New Yorkers navigating the treacherous waters of love and survival.
-
30It's not wrong to wish these actors were working in the service of a better script or more assured direction, but it's probably also possible to simply take pleasure in their performances.
-
25Has a vacant, inept, why-oh-why feeling from its opening minutes and only gets worse.
-
25Kollek is a fringe auteur who makes independent films the old fashioned way: no budget, static camera, a script that telegraphs its tiny, paste gem ironies.
-
25Overly familiar, poorly cast and often annoyingly crude New York comedy that never finds its groove.
-
20Almost creates a sense of dread as you sit watching its raft of aimless, self-absorbed neurotics clang into one another.
-
20Fast Food Fast Women is "Sex and the City" in Payless shoes. An incoherent jumble of characters and situations.