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100A rare example of a literary film that preserves the best of its source while creatively filling up on it.
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100Egoyan's cinematic brilliance shows up intermittently in this atmospheric thriller, which gains most of its punch from Hoskins's surprisingly subtle performance.
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100Compulsion, self-deception and the slippery nature of evil are explored with fidelity and supreme control .
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90So elegantly layered and emotionally restrained, it makes the horror at its center all the more disturbing.
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88You leave Felicia's Journey appreciating it. A week later, you're astounded by it.
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88In this, Alfred Hitchcock's centenary year, Felicia's Journey so startlingly channels the obsessions of the late director that it might be the greatest Hitchcock movie the master of suspense never made.
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83Like a dowser who can divine hidden sources of water, Atom Egoyan has a talent for locating the dream-state perversity that runs just under the surface of everyday life;
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83In this film, shadowy seams of brutality, loss and grief are traced beneath bright layers of tree boughs, children's laughter and high, empty windows.
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80Newcomer Cassidy is excellent, and Hoskins gives a flawless performance.
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80It's an Egoyan film, and therefore by definition worth seeing.
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80One of the year's riskiest yet most effective films.
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80Visually, and in its soundtrack of overlapping voices, the film sustains a mood of heightened consciousness.
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75All of Egoyan's movies have revolved around characters with damaged, fragile psyches, but rarely have they been illustrated as deftly -- and as gracefully -- as in Felicia's Journey.
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75Seems like a genteel "Psycho."
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75There's tremendous maturity and skill in Felicia's Journey but also a sense of impending horror that's bound to repel some audience members -- even though the violence is all implied.
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75The success of Felicia's Journey lies in the work of the steady and here understated Hoskins, who gives one of his best performances, and young Cassidy, who displays a weary maturity even through her deer-in-the-headlights character.
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75A chilly oddball that's easier to admire than love.
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75Deep as a Canadian lake: Below the placid surface, menacing creatures swim around unseen.
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75Has difficulty reaching a resolution. In the final half-hour, the film becomes almost hysterically out of sync with its prior quiet reserve.
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70As is typical with Egoyan, the structure is complicated and the layers of cinematic technique and texture are even more so.
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70Egoyan, whose sophisticated eye is connected to a brain that seems, for the moment, to have gone dead.
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70As far from crowd-pleasing as you're going to get these days.
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70Egoyan and Hoskins fans will definitely want to see this film. Others will feel their fingernails grow as they watch it.
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70Mounted as an art film and is likely to divide both critics and the helmer's fans.
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70Everything seems to fall into place according to earlier Egoyan films, which suggests that you're likelier to enjoy this one if you haven't seen the others.
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67In this instance Egoyan's hereafter is a pale imitation of his yesterday.
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63But given the potentially gripping subject matter, the film is fatally underedited: Every scene feels too long.
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61It's yet another serial killer movie, a plot element that by this point in time, far from being disturbing or fascinating, is just plain dull.
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60Intelligent thriller--turns-- into an embarrassing gothic horror show.
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60Apart from a few choice flashbacks, the action is crawlingly linear--and opaque.
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60Haunting character study filled with fascinating personalities, robust images, and eccentric behaviors that will please art-house fans.
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50Has more ambition than the usual serial killer film, but curiously less urgency.
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50As with all of Egoyan's films, this new one comes cloaked in an atmosphere of dread, but for the first time there's no real purpose, intellectual or emotional, to all the free-floating anxiety.
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40A movie this implausible shouldn't be this dull.