- Studio: THINKFilm
- Release Date: Jul 30, 2004
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Festival Express should rightfully take its place in rock history as one of the great performance films of all time.
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Must-see cinema for any serious rock fan.
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100The real attraction is watching all these guys and gals on the train, so young, so dedicated to their music, so unconcerned about almost everything else.
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100Rich with wonderful music and images.
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100Ultimate geezerfest and rock-doc holy grail.
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100An instant ancillary classic for music fan.
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100Most of Festival Express resonates with the power and passion, even the innocence, of the era.
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90The sociological angle of Festival Express is a narrow one--perhaps too narrow--and doesn't overwhelm the film's real selling point, which is some of the best-looking and best-sounding footage of counterculture icons ever screened.
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90To watch the biggest stars of their time in casual conversation, trading riffs and passing bottles, without benefit of publicists, handlers and security goons is to relive an innocent, anarchic time in the entertainment business when music, not marketing, was at the center of the enterprise.
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90A delirious piece of pop ephemera.
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89It was the greatest rock & roll party you never heard of.
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88The results are spine-tingling. There's only one thing to say about this movie and its rescuers, recovered from the dead--and the Dead: Rock on.
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88A raucous, riveting account of the greatest party you were never invited to.
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Slight on personality but long on music; Janis Joplin elevates it to near-great concert-film status.
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80To watch Joplin, Rick Danko, Jerry Garcia and Mickey Hart, all massively wasted, giggling and jamming, is a delight tempered by the knowledge that Joplin would be dead just months later, with the rest but one following after.
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There were greater rock festivals and there are greater rock movies, but nothing existed quite like this mobile bacchanal, nicely preserved in Festival Express.
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75Full of bright colors, offbeat people, tuneful sounds.
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75A hard and hilariously ironic look at the bottom line. As it turns out, love was not all you needed; hard cash came in handy, too.
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75As this Woodstock-on-wheels careens through the countryside, stopping only to play for thousands of hirsute revelers -- and, once, to stock up on booze in Saskatoon -- its famous passengers celebrate with delirious joy the pure, unadulterated magic of music.
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75Both a concert film and a more intimate thing: a fascinating, fly-on-the-wall (or fly-in-the-dining-car) glimpse of some clearly blotto rock legends talking, singing, hanging out. The fact that a good number of them are now dead makes it doubly memorable.
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75Extraordinary.
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75The film is not about the audience's shared experience, and a lot more about how cool it is to have a backstage pass.
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With the exception of some minor glitches in the sound synchronization and a nighttime performance of The Band's "The Weight" that is uncharacteristically grainy, the film looks and sounds great.
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A piece of rock-and-roll history--but it isn't perfect.
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70The concert footage is generally quite good, and Joplin is astonishing, but with so many hours of footage you'd think there would be more unexpected moments.
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60The result is a vivid record of live acts whose rough-edged immediacy is an integral part of their appeal.
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