Metascore
70

Generally favorable reviews - based on 8 Critics

Critic score distribution:
  1. Positive: 7 out of 8
  2. Negative: 0 out of 8
  1. Reviewed by: Robbie Collin
    Oct 4, 2013
    80
    I loved every minute of Filth, and couldn’t have stomached another second of it.
  2. Reviewed by: Dave Calhoun
    Oct 1, 2013
    80
    This punky adaptation of Irvine Welsh’s novel Filth is a glossary of grimness, a dictionary of darkness. But it also dishes up humour that’s blacker than a winter’s night in the Highlands and unpolished anarchy that’s true to Welsh’s out-there, frighteningly frank prose.
  3. Reviewed by: Damon Wise
    Sep 30, 2013
    80
    A bulked-up James McAvoy dominates the screen in this razor-sharp Glasgow smile of a black comedy, packed with aberrant sex, hard drugs and maximum David Soul.
  4. Reviewed by: James Mottram
    Sep 26, 2013
    80
    With McAvoy acting as if his life depends on it, Filth is the Irvine Welsh film we’ve been waiting years for. Tastier than a deep-fried Mars Bar.
  5. Reviewed by: Stephen Dalton
    Sep 24, 2013
    80
    Baird can be forgiven for a handful of careless and ham-fisted touches. Filth is still a hugely entertaining breath of foul air fueled by McAvoy’s impressively ugly star performance.
  6. Reviewed by: Guy Lodge
    Nov 2, 2013
    70
    Powered by a vigorous, image-shedding lead turn from James McAvoy as a coked-up Edinburgh detective on the fast track to either promotion or self-implosion, this descent into Scotch-marinated madness begins as ugly comedy, segues almost imperceptibly into farcical tragedy, and inevitably — perhaps intentionally — loses control in the process.
  7. Reviewed by: Jessica Kiang
    Oct 21, 2013
    67
    When it comes to capturing some of the gonzo, amoral, substance-fueled verve that Welsh’s novels can display, Filth can take the silver medal with its head held relatively high.
  8. Reviewed by: Peter Bradshaw
    Oct 5, 2013
    40
    For the first half-hour it's got a full-on horrible energy, but there isn't enough humour for it to qualify as comedy, and not enough reality or plausible characterisation to justify calling it any sort of procedural noir.

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