- Studio: Twentieth Century Fox Film Corporation
- Release Date: Sep 24, 2004
- Critic Score
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50All heart and has the best intentions in the world, but what a bore. It's a beat slower than it should be, it makes its points laboriously, and the plot surprise would be obvious even if I hadn't seen the same device used in exactly the same way earlier this year in "Chasing Liberty."
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50Just one more in the plague of weak Cinderella stories released in the past year. It's too sugary to be good for you, but in the end, its over-the-top sweetness won't kill you.
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There are plot holes you can fly Air Force One through.
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50Is there a limit to this incessant princessitude?
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50First Daughter can be measured in degrees of Holmes' discomfort... There's never a moment when she doesn't appear as if she'd rather be in a different movie.
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50A dull, formulaic romance comedy with an ulterior motive and a sly message. Remarkably, the message is this: "Please Re-elect George Bush."
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50Keaton and Holmes have some sweet father-daughter moments and the supporting cast gives its all.
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50Part of the problem is that this First Daughter is modeled on good-girl Chelsea Clinton; a movie based on our current two party-girls-in-chief trying to embarrass their reformed alcoholic dad would be far more fun.
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50Whitaker directed this flaccid romance from a script by girl-power hacks Jessica Bendinger.
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42The role of a poised daddy's girl is a dull one for Holmes, who looks pained, in a nonspecific way, throughout her capers; the movie itself, with a screenplay by Jessica Bendinger and Kate Kondell, is a dull one for director Forest Whitaker.
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Though First Daughter delivers a nice twist about midway through and Keaton lights up the screen every time he's on it, Holmes fails to deliver the kind of nuanced performance "Pieces of April" suggests she's capable of.
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40Holmes' wholesome charm keeps the movie afloat, but only just.
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First Daughter is less amusing than Jenna and Barb at the RNC, and dumb enough to make last January's presidential scion, Mandy Moore, look electable.
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While First Daughter is nowhere near as airheaded or disingenuous as "Chasing Liberty," it's far more confused.
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38It's a glossy, well-mounted, slickly done but almost stuporously predictable affair, both formula-bound and utterly illogical.
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38Has any movie this millennium had less reason to exist than First Daughter?
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30A bland, formulaic picture where romance and comedy are noticeably absent. A more wooden and uninspired effort from talented people behind and in front of the camera is difficult to imagine.
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30There are stiff politicians and there are stiff political movies, but the rigidity of the White House-based fairy tale that is First Daughter is in a category even pollsters may have a hard time assessing.
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30One hackneyed, inauthentic, predictable scene after another.
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25Directed without wit or energy.
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25Just bland behavioral propaganda, and Holmes makes such a guileless and robotic spokeswoman, it wouldn't be nuts to think the White House was just another mansion in Stepford.
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20Stupendously dull and infuriatingly obtuse.
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20It sends a bad message to the film's young audience that the daughter of a world leader needn't be more than a vapid bikini-stuffer.
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20Plays more like a nightmare than a dream, and an exceedingly unnerving one at that. Sam isn't just a prisoner of her parents' ambitions; like nearly everyone else in this film, she's a zombie, sleepwalking through life while Rome burns.
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