Metascore
81 out of 100

Universal acclaim - based on 31 Critics

Critic score distribution:
  1. Positive: 28 out of 31
  2. Negative: 0 out of 31
  1. 100
    Arnold deserves comparison with a British master director like Ken Loach.
  2. 100
    The only person who seems to understand the angry teen is mom's new boyfriend (Michael Fassbender of Hunger), though their friendship oscillates between intimate and vaguely creepy.
  3. The amazingly natural first-timer was discovered, in a gift of publicity-ready truth, while having an argument with her boyfriend at a train station.
  4. Reviewed by: Ian Buckwalter
    90
    Andrea Arnold has crafted a scene that approaches a literal embodiment of the term "kitchen-sink drama" here is most likely coincidence; nevertheless, her film is a bold new entry in that long-standing British tradition of disquieting social realism.
  5. Arnold's first feature, "Red Road" (2006), centers on another outsider, a woman who monitors security cameras. The film is formally brilliant, but it doesn't have the breathtaking openness of Fish Tank.
  6. The 17-year-old so completely captures the innocence, cynicism and rage of a child of poverty and divorce on the edge of adulthood that it feels as if you are spying on Mia, so achingly real, so tangible does her world seem here.
  7. 90
    The contradictions of adolescence have rarely been conveyed with such authenticity and force.
  8. Reviewed by: Leslie Felperin
    90
    What makes the picture feel special is its unflinching honesty and lack of sentimentality or moralizing, along with assured direction and excellent performances.
  9. It's been a good while since I've seen a movie whose most powerful sequence was both unforeseen and entirely unpredictable as it played out.
  10. Fish Tank isn't an easy watch – it's like two hours of ache – but there are rich rewards to be had in the many ways Arnold and her terrific team rend us to and fro.
  11. 88
    While you're remembering new high-impact names, add Arnold. In only her second film, after 2006's "Red Road," she keeps the screen filled to bursting with the beauty and raw terror of life.
  12. A remarkable downer-upper paradox: a bruising tale of teenage resilience, honest and emotionally complicated and alive.
  13. It's oppressive and claustrophobic, confused and scary in there. But it's also compellingly real.
  14. Reviewed by: Claudia Puig
    88
    A brilliantly acted and achingly bleak coming-of-age story.
  15. 88
    In many ways Fish Tank joins "An Education" and "Precious" as an acute, empathic portrait of a girl growing up, but more than those films Arnold leaves viewers with a feeling of unsettled ambiguity.
  16. 88
    It's not comfortable but it is engrossing.
  17. The film belongs to Jarvis, however, and she makes the most of it with expressive features that convey Mia's mixed-up emotions from raging temper to sweet vulnerability. She will go far.
  18. Arnold generally steers clear of cinematic melodrama, and Jarvis infuses the entire film with the sort of kinetic spirit that heralds a new talent.
  19. Reviewed by: Philip Wilding
    80
    A vivid portrayal of life at society's margins with a compelling turn from newcomer Jarvis. Little wonder it scored at Cannes.
  20. Reviewed by: Dana Stevens
    80
    Fish Tank manages to be about exploitation without being exploitative. For my money--and without opening up the "Precious" debate again--it's by far the better movie.
  21. 80
    Fish tank may begin as a patch of lower-class chaos, but it turns into a commanding, emotionally satisfying movie, comparable to such youth-in-trouble classics as "The 400 Blows." [18 Jan. 2010, p. 83]
  22. 75
    Fish Tank is grim, to be sure, but it leaves us with a feeling of hopefulness.
  23. Reviewed by: Ty Burr
    75
    Fish Tank should be seen for what it does well and for what it hints may come, if Andrea Arnold and her audiences are lucky.
  24. A half-century ago, "kitchen sink realism" began its harsh existence on the British stage and then migrated to the screen where, over the years, the genre has taken up permanent residence, maturing into a gritty art...Now add Andrea Arnold to the directors' list and Fish Tank to the kitchen. It's classic low-rent realism – you can almost smell the grease on the unwashed dishes.
  25. Fortunately, Fish Tank feeds us more than crumbs and leaves us feeling like we've come up for air.
  26. 67
    Like "Red Road" it's slow-moving and sometimes grueling, but it's more of a chronicle than narrative, a series of slices-of-life rather than an unfolding and increasingly engrossing enigma.
  27. 67
    In that way, Jarvis is a lot like Arnold: an artist who knows the steps, but doesn't yet have all the moves.
  28. Even as it stands, Fish Tank is a valuable movie, though it aspires to a social insight it doesn't attain and a psychological penetration it won't maintain.
  29. Reviewed by: Ella Taylor
    50
    Jarvis gives a ferociously persuasive performance in an otherwise routine tale of domestic disaster.
  30. A grimy kitchen-sink melodrama with an Ajax cleanser script: The muck is all surface, the turmoil cleanly shallow and contrived, though never less than gripping.
User Score

Generally favorable reviews- based on 26 Ratings

User score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
  1. This review contains spoilers, click full review link to view. There is a three reasons that this film apparently works. 1) It is completely unexpected, such as Mia bumping uglies with Connor, little Tyler literally swearing and giving herself health problems when we see her and her friend smoking and drinking, or when Connor's little daughter falling into the river and or ten seconds, all that Mia can do is look in horror how she'll survive the icy water. 2) Katie Jarvis. That **** can definitely act for sure, it almost looks like that Mia isn't a character, but rather Katie Jarvis' persona. 3) Michael Fassbender. Around this period of his life, he really was blossoming into his acting, after proving he is very good in Hunger, that it's scary. Plus, he is so good-looking and sexual, that he sizzles to Mia to the point where he has sex with her. Plus, with this particular scene, it proves that Michael Fassbender will do anything to get particularly noticed by the big awards, like Oscars, Golden Globes, etc, even if it means that he has to have sex with a girl half his age (Fish Tank), show off his genitalia and anus (Hunger), get a silly mustache (A Dangerous Method), or even have sex with a hundred girls and his character's sister (Shame), or so I've heard. Full Review »
  2. The British film Fish Tank is a rare movie-going experience, in that we the viewer move from simple voyeurs to the feeling that we are participating in the story to, finally, the feeling that we are the main character, somehow trapped in the same existence and the same feelings of hopelessness and despair that permeate her life. The her I refer to is Mia (Katie Jarvis), a 15 year old teen living a pretty lousy life in Essex with her little sister Tyler (Rebecca Griffiths) and her single, party-going mother (Kierston Wareing). The three of them co-exist in a flat that is always dirty and they speak to each other with no hint that they are a family – calling one another ‘cunt-face’ or ‘fuck-head’ is a common theme and not one used in light humor. The beauty of this film is found in the overwhelming feel of despair and alienation which Mia projects. The film is shot wonderfully from her point of view, so that we are always aware that the world in which we are thrust is what this angst-ridden teen is seeing and interpreting, a very important aspect to keep in mind since it always leaves open the possibility of an unreliable narrator or a revisionist view of the world. But that is all an afterthought really, as we navigate the life of Mia who has no friends (she head butts another girl in the face causing her to bleed profusely from the nose), is failing at school badly (she is preparing to be moved to a boarding school for troubled youths in a few weeks), and her only release in life is stealing whatever small amounts of cheap booze she can and retreating to an abandoned flat where she can express herself through hip-hop dance routines – we see her longingly view music videos and mimicking the moves as if she is fully aware that her only chance at a better life involves her getting far away from the one she currently has. At one point we almost believe that she may have a chance, but we are never quite sure what she believes. The film really picks up with the introduction of Connor, played by the wonderful actor Michael Fassbender (Inglourious Basterds; Hunger) who arrives at the home one day with the intoxicated mother and quickly becomes a staple in their lives. This is obviously the first man in any of their lives who even remotely borders on being a good person and it is clear that Mia has some extremely conflicted views of the situation, emotionally, sexually, and just from the point of view of not trusting anyone but needing and wanting that trust. Connor’s relationship with Mia teeters on the edge of sweet and tender (he removes her shoes for her as he puts her to bed) to the genuinely nice (he offers her a video camera to make a dance audition tape) to the ambiguously pedophilia/opportunistic actions of a man and a teenage girl. The director is careful to never really place blame on anyone, but to merely show us through Mia who these people represent to her life. This girl is damaged in ways most people do not know, but we root for her and we hope that she gets her audition. This is a bleak and powerful film that will have you questioning a great deal about what it is like to be in a position like Mia and how exactly someone like this can ever make a change for the better. The story itself is fairly straight-forward, but Jarvis takes this character and makes her so powerful and vulnerable and real that we lose ourselves in her passion. The film won the Jury Prize at the 2009 Cannes Film Festival and is just recently released in the USA. Full Review »
  3. This great British film, winner of the Cannes Jury Prize, combines the likes of "Precious" and "An Education" to give us one of the grittiest and most candid looks at a teen's life since "The Basketball Diaries". Director Andrea Arnold (who brought us the indie hit "Red Road") presents a world that is so honest and real, one we normally don't see on the screen. The film's candor, however, ultimately comes from the refreshingly flawless performances by Michael Fassbender and newcomer Katie Jarvis. Well shot and well performed, "Fish Tank" has become a staple in recent British cinema. Full Review »