Review this movie
DeborahTNov 17, 2009This was a powerful film that left me haunted.
JoseCOct 8, 2009Great performances,well directed but uneven script.
Jun 2, 2013Tension is perhaps a writer's best friend, reaching out to an audience is a tough task, not everyone will be pleased, but with tension there is always that sense of uncertainty, and where Five Minutes of Heaven succeeds in building tension, through a simple 'handshake' between two men, it also falters in maintaining a fluid story, and not visiting plot points it should have.
A 17 year-oldTension is perhaps a writer's best friend, reaching out to an audience is a tough task, not everyone will be pleased, but with tension there is always that sense of uncertainty, and where Five Minutes of Heaven succeeds in building tension, through a simple 'handshake' between two men, it also falters in maintaining a fluid story, and not visiting plot points it should have.
A 17 year-old UVF cell leader known as Alistair Little is about to take the life of Catholic man as a warning to others in the same working environment. What he doesn't anticipate is the younger brother of the victim standing outside, and watching as Little pulls the trigger three times on his brother, then leaving the scene.
Years later, a reconciliation type event has been set up by a TV company in an attempt to have the now reformed and former prisoner Little (Liam Neeson), who now goes across the globe talking about his experiences and the feeling of killing an individual, and the younger brother Joe Griffin (James Nesbitt), a man who is filled with rage and is flashbacks reveal that he received the blame for his brothers death from his mother.
The film is then very much what is going through Joe's head as he prepares to meet Little, he wants to kill this man for what he has done, but he also seems greatly frustrated with the position that Little is now in, talking freely and being asked about his experiences all over the world, while he continues to relive in his head what happened on that night all those years ago at the height of the Troubles in Northern Ireland.
James Nesbitt perfectly shows a an who is not only riddled with grief and emotional loss, but also someone so driven by revenge it is perhaps clouding what exactly he wants, he talks quick through nerves, he wants to meet him but doesn't want to meet him. He knows Little killed his brother, but has now lost focus of the fact his brother is dead.
Liam Neeson's Little is someone who accepts what he is done but now attempts to live his life, by confronting his demons, he is a fallen and sunken man who expects the worse from his meeting with Joe, and also accepts why. Where the film slightly loses its momentum is the official meeting never happening, its understandable what route the writers where taking with this, a personal approach, but there is ultimately a lot of attention surrounding this event that doesn't occur.
But the film does have perhaps the most sensible and realistic of endings, and while certain other stories like Little's eventual prison sentence and Joe's wife and children could have been better explored, its another touching film on an already publicly explored area.… Expand
The production design is spot-on, but Hirschbiegel tries way too hard to create tension, making every occurrence--a record needle dropping, a car door slamming--an unsubtle potential bomb, fraying your nerves like a cheap horror movie.