Metascore
86 out of 100

Universal acclaim - based on 23 Critics

Critic score distribution:
  1. Positive: 23 out of 23
  2. Mixed: 0 out of 23
  3. Negative: 0 out of 23
  1. A gem made by a filmmaker who loves life, and knows how to capture its ebb and flow and sweet complication.
  2. Reviewed by: Glenn Kenny
    100
    This is not a children's picture, although it touches on the imaginative powers and emotional resilience of children. It's another slice of Hou's distinctly poetic realism, and as such, also a kind of tribute to Paris -- the Paris of both today and of the older film.
  3. Hou's first film made outside of Asia is his most emotionally turbulent, yet he remains, like the balloon, outside looking in, a compassionate but distant observer capturing it all with a graceful restraint and floating beauty that ultimately carried me away with it.
  4. 100
    Flight of the Red Balloon is in a class by itself. In its unexpected rhythms and visual surprises, its structural innovations and experimental perfs, its creative misunderstandings and its outré syntheses, this is a movie of genius.
  5. Reviewed by: John Anderson
    100
    Because it's one of the most beautiful films ever. Because it's a work of art on the order of a poem by Yeats or a painting by Rothko.
  6. Juliette Binoche is outstanding as a wildly untogether single mother who parks her son with a French-speaking Chinese nanny while she whirls and worries.
  7. 90
    It's both happy and sad. That's exactly the way to describe Hou's marvelous film as well.
  8. In The Flight of the Red Balloon, the great Taiwanese filmmaker Hou Hsiao Hsien uses Albert Lamorisse’s 1956 masterpiece "The Red Balloon" as a springboard for his own masterpiece--a distinctively modern and allusive one, yet so tender and plaintive that you understand what Hou is up to on a preconscious level.
  9. The camera is so unobtrusive and the acting so naturalistic that it takes a while for a narrative to emerge. When it finally does, you're surprised to find you're deeply invested in the characters.
  10. In the end what elevates Mr. Hou’s films to the sublime -- and this one comes close at times -- are not the stories but their telling.
  11. What Mr. Hou has done is borrow power and some gentle intimations of a state of grace from one of the most enchanting images in movie history.
  12. Hou intends to celebrate the classic 1956 children's film "The Red Balloon," and he has done a beautiful job. In fact, he may well have created a future classic of his own.
  13. A meditation on art, life, loneliness and the links between friends and strangers, the movie has a grace and humor that's wonderfully inviting.
  14. Reviewed by: Ty Burr
    88
    The subject is the privileged state of childhood itself - how we're all lucky to have had it and how it so easily floats away from our grasp.
  15. For all its fuss and fury, Flight of the Red Balloon succeeds magnificently.
  16. Too much of this film is attenuated and vague, but it has moments of deep melancholy.
  17. Reviewed by: Justin Chang
    80
    This eloquent study of loneliness and postmodern drift likely will be received with more admiration than rapture by the helmer's followers. But Juliette Binoche's turn as a harried single mom and pic's enlivening portrait of domestic rupture make this a highly accessible Hou.
  18. 75
    Fans of Hou know just what to expect from his slow, contemplative films - and they won't be disappointed.
  19. 75
    Flight was commissioned by producers overseas, and it feels similarly, impeccably slight.
  20. There's not much story here, but the characters are substantial: a single mother (nicely played by Juliette Binoche) who runs a local avant-garde puppet theater and is preoccupied with such matters as a downstairs tenant who refuses to pay rent or leave, her neglected but mainly cheerful son, and his Taiwanese nanny, a filmmaker in her spare time.
  21. The balloon will resurface throughout, but far more interesting, and substantial, is the slow reveal of Simon's domestic situation.
  22. 67
    Ultimately, though, it's hard not to feel like Hou is saying more explicitly and expansively in nearly two hours what Lamorisse managed to convey in only one-fourth as much film.
  23. Reviewed by: Ken Fox
    63
    Not surprisingly, we're left with characters that feel only half sketched and fail to resonate on their own -- but onto which much can be read by Hou's most ardent fans -- in a poetic looking film that's ultimately as inflated and empty as the balloon itself.
User Score

Mixed or average reviews- based on 46 Ratings

User score distribution:
  1. Positive: 7 out of 21
  2. Negative: 8 out of 21
  1. KevinR.
    1
    First let me say that I like art films...I like French films--Godard, Truffaut, Renoir....but this movie was excruciating. One of the worst "entertainment" experiences of my life! It was a movie about nothing. If you like watching a kid have a piano lesson, watching someone straighten up a living room, watching a piano tuner at work, or someone making pancakes then this is the movie for you. Oh and especially if you like to watch red balloons randomly floating around. I saw The Red Balloon when I was young and was enchanted. This, however, which is meant to be an homage, is beyond endurance. I give it a 1 for some occasionally nice cinematography. Full Review »
  2. MarkK.
    1
    A good artsy film is worth owning. This movie is not even worth napping through. Save the cramped neck by going to bed early and not watching this over-hyped, French-fried, potato. Full Review »
  3. ButterK.
    0
    This is one of the worst movies I've seen in a long time. I couldn't wait for it to end. I wanted to pull out my hair because I found it sooooooooo boring and pointless. What was the point of this movie?? I can't believe the critics loved this movie. Full Review »