- Studio: Drafthouse Films
- Release Date: Nov 5, 2010
- Critic Score
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100What explosive mischief might they create? That's the premise of Morris' brilliantly incendiary new comedy Four Lions.
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90While the film is likely to find outright rejection among those who remain jittery with each turn in the War Against Terror, it should find a warm reception with fans of dark, outrageous humor.
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90A shockingly hilarious, stiletto-sharp satire directed by Chris Morris and written by a squad of British wits.
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83A dense, sharp, hilarious and unflinching film about a group of British Muslims who seek to shock the world with an apocalyptic act of jihad but are too dumb, contentious and accident-prone to succeed at anything much more audacious than ringing a doorbell and running.
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83These guys are not charming; they're horrifying in their ignorance, and they cause real damage. But there's a weird relief to be found in the opportunity to laugh ourselves sick at their expense, if only for an instant.
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83Chris Morris' corrosive black comedy Four Lions explores the lighter side of jihad. It's a ballsy romp through one of the least lighthearted subjects imaginable.
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80The very existence of Four Lions is an act of audacity; the fact that it's also smart, humane, and frequently hilarious is nothing short of a miracle.
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Nov 2, 201080He's (Chris Morris) breaking taboos because broken taboos can be hilarious.
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Oct 31, 201080A hilarious farce and a brilliant takedown of the imbecility of fanaticism.
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80Guaranteed to offend a lot of folks across the political and belief spectrum, but consistently funny and horribly to the point. A sit-com spin-off is probably not on the cards, though.
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78This is provocative stuff, to be sure, in which the stakes are so high that a pratfall concludes with exploding limbs and the anguished effect of its final minutes is a quiet shock to the system. A comedy of errors and terrors? Who woulda thunk it?
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75This is a comedy about imbeciles who fall blindly in love with a concept, without giving any thought to what they are doing. And although some of them eventually have a moment of self-realization, it arrives, sadly, much too late.
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75Its chilling third act suggests that sooner or later, even these riders on the Islamic short bus are going to get one right. And that won't be funny at all.
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75The whole thing is kind of comforting in a damn-the-torpedoes, laugh-at-what-scares-you-most kind of way.
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75Four Lions is impossible to categorize. It's an exceedingly dark comedy, a wicked satire, a thriller where the thrills center on the incompetence of the villains.
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70Four Lions is a comedy about terrorism. No, not a thoughtful, intellectual take on the absurdities of suicide bombing. It's slapstick. Actually, it's the Three Stooges of Jihad.
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70The invective energy of Four Lions and its Swiftian vision of a confederacy of dunces are never in doubt. The problem is one of form. [15 Nov. 2010, p.99]
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70The comedy divides cleanly into dark, violent slapstick (much of it hilarious) and more routine gags highlighting the fanatical characters' foolishness and incompetence.
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70Doesn't offer moviegoers one obvious message, but rather a complex and considered glimpse into a rarely seen world, one of utter absurdity and horror.
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70The idea, in the end, is that even lovable loonies can do a lot of damage.
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63When it works - and it doesn't half the time - it's as if Monty Python were back, putting its merrily imbecilic stamp on the dark world of terrorism.
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60While these ninnies' antics and banter are remarkably entertaining, the quality of the satire depends on when the movie is sending up ludicrous extremist logic and when it's just engaging in repetitive buffoonery.
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50Has a provocative, ticklish premise – five North England Muslims become suicide bombers, but can't decide who or what to take with them.
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Nov 11, 201050Probably the world's first jihad terrorist comedy, Four Lions is a daring, brilliantly conceptualized film, but like the bumbling bombers of the title, the execution tends to be hit-and-miss.
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50Real satire must be savage, and Four Lions, for all its daring, finally doesn't dare enough.
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50An audacious premise gets dangerously unstable execution in Four Lions, a ballsy but wobbly high-concept farce that sends up the bumbling schemes of a Blighty-based jihadist cell.
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30The only reason to see it is Riz Ahmed's performance as Omar, the supposed brains of the operation. Mr. Ahmed reminded me a bit of Robert Carlyle. He's dynamic, quick-tongued and intense. And much too classy for this tatty room.
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25If all terrorists were like these idiots, the US would have nothing to worry about.