ie8 fix
Metascore
42 out of 100

Mixed or average reviews - based on 32 Critics

Critic score distribution:
  1. Positive: 7 out of 32
  2. Negative: 9 out of 32
  1. Stoopid fun, From Paris With Love doesn't do much for Paris or love, or your brain cells, but it flies like a crazed eagle on uppers and comes from the talented, propulsive schlocketeer Pierre Morel.
  2. Morel and his crew certainly know how to stage action: the fight scenes and shootouts, the stairwell pursuits and motorway mayhem, are as good, if not better, than anything to come out of Hong Kong in a long time.
  3. 75
    It's pure comic book/popcorn action. If that's your kind of movie, it's hard to go wrong with this one.
  4. Morel will inevitably be compared to John Woo, whom he trounces. He has fewer mannerisms (no damn doves) and a keener eye; his fastest, most kinetic shots flow together like frames in a flipbook.
  5. Reviewed by: Nick Pinkerton
    70
    He (Morel) brings in lobotomized entertainment at 90-odd minutes. During the February doldrums, this cannot be underestimated.
  6. I am ashamed to admit that this empty-headed, preposterous, possibly evil mélange of gunplay and high-speed car chases on Parisian boulevards is a feel-good movie that produces a buzz.
  7. 63
    Generic but breezily entertaining.
  8. Reviewed by: Angie Errigo
    60
    It's absolute nonsense, of course, but does quite nicely as knockabout Friday night fun. We can smell a sequel if Travolta can be bothered.
  9. John Travolta breaks the braggadocio meter in the latest tightly wound actioner from "Taken's" Pierre Morel.
  10. 58
    With his flamboyant ridiculousness, Travolta does, however, give From Paris With Love a pulse, which is more than can be said for the film's petulant hero, played by Jonathan Rhys Meyers.
  11. Travolta has/is a blast in an action-thriller-comedy that otherwise comes up short.
  12. 50
    I hasten to say this is not criticism of John Travolta. He succeeds in this movie by essentially acting in a movie of his own.
  13. It's a hyper-violent buddy comedy. If you like that sort of thing -- think "Training Day," with laughs -- you'll love this.
  14. 50
    This is the sort of asinine action exercise that needs a star to blow up cars and leap from rooftop to rooftop with gusto.
  15. 50
    Basically a bloody buddy picture that tries too hard.
  16. Doesn't really know what it wants to be. Morel would have done better to remember the "to thine own self be true" bit, and stayed with the dunderheaded shoot-'em-up vibe, with Travolta having a blast, often literally.
  17. A ''fun trash'' movie that's more trash than fun.
  18. Reviewed by: Andrew Barker
    50
    To his credit, Travolta hams it up with the kind of laissez-faire irony that might have made the film a tongue-in-cheek pleasure, had his attitude extended to the filmmakers.
  19. 50
    No movie star appears to have more fun in a crap movie than John Travolta, and his inimitable my-check-has-cleared! glee is the best thing about this lame espionage thriller.
  20. Amid all the mayhem, there is Paris in all its faded-light glory. Is the movie worth seeing as a travelogue? Only if you are (a) a masochist, (b) a terrorist, or (c) desperate.
  21. If so inclined for a breezy, violent time-waster audiences could do worse. Travolta sadly can do so much better.
  22. The film is so self-referencing, however, that a running gag about Wax/Travolta craving a "royale with cheese" moves the film's energy backward rather than forward. Perhaps instead it was a reference to the film's nutritional value rather than its screen precedents.
  23. Reviewed by: Mary Pols
    40
    This pickpocket of a movie flashes open its coat to proudly display all its swiped goodies.
  24. Reviewed by: Claudia Puig
    38
    So leaden and obnoxious that it actually makes you long for the John Travolta of "Old Dogs."
  25. Still, the action is ponderous too. Mr. Morel is no Kubrick, or Tarantino, just as Mr. Travolta's caricature of John Travolta is no Travolta.
  26. 25
    Has no vital signs at all, just crushing dull repetition that makes one noisy, violent scene play exactly like the last one.
  27. 25
    John Travolta's From Paris With Love assassin/ superagent Charlie Wax is the master of whatever the opposite of wisecracking is. Fooljoshing? Lametalking? Flatlining?
  28. Holes in the script, overwrought camera work, dialogue that's embarrassing, and a plot device that's obvious 10 minutes into the movie - all these are major problems.
  29. The one thing that's briefly enjoyable about From Paris with Love is John Travolta's appearance. In a black leather jacket, with a shaved bald head and a goatee and a perpetual scarf to hide his jowls, he looks like a well-fed pimp or a gay bear.
  30. This sock-it-to-'em souffle falls very quickly, unless watching Travolta trying on another faux-hip look is considered fun.
  31. 20
    Both mean-spirited and self-conscious. It's all style and no soul, which wouldn't be a problem if its style at least gave us something to look at, or to laugh at. But From Paris With Love, filmed on location in Paris, has a raggedy, greasy, dingy look: It's the movie equivalent of an unbathed, unshaven French boyfriend (the bad kind). It thinks it's suave, but it just smells bad.
  32. 0
    We all know how rotten today's movies can be, but even at the bottom of the slag pit, you won't find a load of garbage any smellier than From Paris With Love.

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User Score

Generally favorable reviews- based on 50 Ratings

User score distribution:
  1. Positive: 22 out of 31
  2. Negative: 4 out of 31
  1. "From Paris with Love" is a weak film compared to those French action films such as "Leon", or "Nikita", but at least it passes the average grade.
  2. From Paris with Love is just all kinds of wrong. Directed by Taken’s Pierre Morel it takes everything he learnt with Taken and removes it. Its so hopelessly hammy in its acting and writing that Morel doesn’t stand a chance. Regardless of the acting, Morel doesn’t help his cause with direction so remarkably boring, uninspired and lifeless its like watching something made for TV, and made badly. It cuts from fast pace (yet uninspired) action sequences to plot heavy joyless conversations that are so badly written its hard to follow the plot because your too busy laughing at the screen. It’s just awful on so many levels. It’s only saving grace is the fact at times you can have fun watching John Travolta make terrible jokes as his stunt double quite clearly takes over as neither man has a similar stature. It’s remarkably noticeable. Finally if you’re going to make a reference to Pulp Fiction, make yourself a film worthy of the reference. Full Review »
  3. I was thoroughly disappointed by From Paris with Love. Luc Besson's normally energetic and no-nonsense writing feels turgid, and director Pierre Morel has made films that are both more fun (District 13) and more consistent (Taken) than this sorry affair. Both leads are miscast - Johnathan Rhys Meyers' ambassador's assistant and part-time CIA operative James Reese quite remarkably manages to come across as both wooden and camp at the same time, and John Travolta's agent Charlie Wax is just an offensive, egotistic, fat old man who couldn't believably pull off half the stunts he does in this film (Travolta clearly has a good stunt man to do the tricky stuff, and the camera craftily cuts away whenever he's required to run). The plot is predictable, the representations of various ethnicities in Paris borderline offensive, and the action is unimaginative, and surprisingly infrequent for an action film. The only thing the film really does is raise the occasional smile with a few passable jokes (usually when Reese points out the ridiculousness of the situation, or when Travolta is particularly hammy) though even this is somewhat spoiled by a decision to crowbar in a reference to one of the lead actor's biggest hits. I'm sure said line was intended to be funny, but instead it just causes you to groan in deep embarrassment. From Paris with Love is only worth watching for the odd chuckle - it works on no other level, not as an action film, thriller, comment on terrorism and paranoia, not even as a buddy movie. It's merde, Monsieur Besson and Monsieur Morel, and you both need to have a long, hard think about where your careers are heading. Full Review »