Funny Ha Ha Image
Metascore

Generally favorable reviews - based on 16 Critics What's this?

User Score

Mixed or average reviews- based on 20 Ratings

  • Summary: When you graduate college you easily sashay into the world of adulthood, start a career, and get serious, right? Wrong. Marnie has left college, but not her drinking habits and her bad taste in bad men. What's more, Marnie can't seem to find a permanent job. It would be sad if it weren't so funny. (Goodbye Cruel Releasing) Expand
Score distribution:
  1. Positive: 15 out of 16
  2. Negative: 0 out of 16
  1. 90
    Bujalski takes a sledgehammer to the carefully ordered surfaces and dramatic conventions of narrative cinema, favoring instead an unpredictability in which the crosscurrents of quotidian life collide on the screen in a series of brilliantly alive patterns.
  2. 80
    The final scene is as close to perfection as any Amerindie has come in recent memory--in a single reaction of Marnie's, we see a small but definite shift in perspective; abruptly, Bujalski stops the film, as if there's nothing more to say. It's a wonderful parting shot for a movie that locates the momentous in the mundane.
  3. 80
    The kind of film that you just don't want to end.
  4. 60
    The look is rough, but Bujalski's talent is evident.

See all 16 Critic Reviews

Score distribution:
  1. Positive: 9 out of 15
  2. Mixed: 0 out of 15
  3. Negative: 6 out of 15
  1. E.R.
    10
    Charming, real, totally absorbing film that shows real talent from top to bottom, from upstart young director Bujalski to lead actress Dollenmayer. It's artfully shot despite having virtually no budget; the dialogue is fresh, funny, and absorbing. Anyone who has ever experience those awkward post-college years ought to love this--but really, anyone who appreciates a unique new sensibility on film ought to give it a try. Expand
  2. Funny Ha Ha is not just an example of charming and well-performed comedy-drama, but it's important in terms of film history, effectively beginning the mumblecore film movement. It's a micro-budget production with a home-made feel, and relies on its actors naturalistic improvisations. It's about young people drifting through life post-college, and the trials and tribulations of relationships, both romantic and friendship-based. The film's narrative is seen almost entirely from the central character's perspective - Marnie (the effortlessly brilliant Kate Dollenmayer) is uncertain of her future, so takes life as it comes, encountering a number of hurdles along the way. The story itself is simplistic, and perhaps a little too minimal to gain your undivided attention for 90 minutes, and many of the film's events are left unresolved and open to interpretation. This will be a divisive point - you'll likely find it either liberating or immensely irritating (I personally didn't mind the lack of resolution, but did found myself a little disappointed). The actors all do a great job of improvising realistic conversations (talking like real people actually do - a rarity on film) and there's the odd chuckle to be had. The film is admirable for doing something a bit different with the rom-com as a genre, but I'm not certain the rest of it is being quite as original as it clearly wants to be - the low-key aesthetics owe a lot to Dogme 95, and the improvisation and comedy derived from everyday situations sometimes makes the film feel like a Mike Leigh knockoff. Expand
  3. NickG.
    3
    pointless rubbish, no directorial qualities to speak of and rambling dialogue which to little if any funny anything.
  4. MickV.
    2
    And that's generous, a sort of acknowledgment that yes the director is at least aiming for a sort of feeling. But, my God, what a waste the thing he aims for is. A slice of no life really. Not a single interesting or charming line is uttered in the entire film. Is it possible people could really be so helpless or inarticulate. Only in a film that painfully seeks to mark itself as authentic. A complete waste of time. Collapse

See all 15 User Reviews