Metascore
72 out of 100

Generally favorable reviews - based on 30 Critics

Critic score distribution:
  1. Positive: 26 out of 30
  2. Negative: 0 out of 30
  1. Both very funny and a bit of a tearjerker, with an on-the-money performance from Ricky Gervais.
  2. A winning mix of sharp comedy and touching bits that keeps the laughter -- a few tears -- flowing.
  3. A misanthropic dentist, a roguish ghost and a zany Egyptologist: as these unlikely companions scamper around Manhattan in the buoyant comedy Ghost Town, they resurrect the spirits of classic movie curmudgeons like W. C. Fields and such romantic comedians as Cary Grant and Carole Lombard in Woody Allen territory.
  4. A welcome surprise: a supernatural romantic comedy that works, graced with a cast just off-center enough to make it distinctive.
  5. 88
    The twists are executed superbly, right up to a climax that fits the David Mamet definition of what makes for a perfect ending: It is both surprising and inevitable.
  6. 88
    The astonishingly versatile Kinnear proves note-perfect as a huckster who slowly rids himself of slime.
  7. Leoni and Kinnear are charming, and Koepp keeps the mood appropriately light. But really, this would be just another disposable comedy if it weren't for our unassuming star.
  8. 80
    Ghost Town is a rarity, a contemporary romantic comedy that honors the traditions of the genre without checking them off some plasticized list. The picture is breathing, and alive, every minute.
  9. Reviewed by: John Anderson
    80
    Smartly supernatural, and featuring sensational performances by Ricky Gervais and Tea Leoni, Ghost Town is a "Topper" for our times.
  10. 80
    A sweet and hilarious romantic comedy featuring a breakout performance by British comic genius Ricky Gervais, inspires viewers to pause, reflect and praise one of the most rare and wondrous occurrences in contemporary cinema: the Good Movie.
  11. 75
    It sounds sappy, and sometimes it is, but director Koepp and co-writer John Kamps stay alert to the humor and pathos of Bertram's isolation.
  12. 75
    A lightweight rom-com elevated by its performances. It is a reminder that the funniest people are often not comedians, but actors playing straight in funny roles.
  13. 75
    Predictable but amusing. The painfully awkward, stubby Gervais as romantic lead is a funny enough concept, but the actor's ongoing banter with Kinnear is engaging, and their styles mesh entertainingly.
  14. Reviewed by: Claudia Puig
    75
    A good-natured and engaging fantasy/romantic comedy in the tradition of "Heaven Can Wait" or even "Topper."
  15. An innovative romantic comedy that is a mixture of British spice and American sugar.
  16. It's a smooth journey across familiar territory to a safe emotional harbor, always professional and occasionally delightful.
  17. 75
    Though the plot contrives to throw Gervais and Leoni together and then pull them apart, the two leads stay consistently in sync through it all, laughing at each other's jokes and generally sharing the kind of normal adult communication that's often missing from movies about people falling in love.
  18. 70
    Audiences who feel battered by Hollywood's usual hard-sell approach to farce may be disarmed by Koepp's soft touch and inclined to credit blandness as understatement.
  19. Reviewed by: Dana Stevens
    70
    Once Leoni's Gwen comes on the scene, the movie starts to bubble along nicely. Not just because Leoni is a screwball heroine worth, er, screwballing--at 42, she's more attractive than ever--but because her character is given a weight and texture that's rare in a movie of this type.
  20. 70
    In this comedy by David Koepp, Gervais handles the big, crowd-pleasing gags with aplomb.
  21. But by the time this imperfect little film wends its way to one of the most winning exit lines I've heard in a long time, it's turned into something, well, perfectly lovely.
  22. Diverting enough, but it's also the kind of high-concept studio concoction Ricky Gervais might have ridiculed in his great backstage-showbiz sitcom "Extras."
  23. Ghost Town reworks "Ghost" as a romantic comedy with a miserable hero who sees dead people and is really annoyed by them.
  24. Reviewed by: Ken Fox
    63
    In Koepp's comedic variation on a similar theme, the dead are not just unhappy -- they're irritatingly needy.
  25. Reviewed by: Ty Burr
    63
    Someone once said about W.C. Fields that he had the rare ability to despise amusingly. I can imagine no greater compliment than to say that Ricky Gervais seems, at his best, like a young Fields.
  26. 63
    One of those romantic comedies that never quite clicks. At times, its humor is effective, provoking chuckles and laughs. At other times, the comedy feels forced and awkward.
  27. Eventually, though, Ghost Town buckles beneath the weight of contrivance -- so many ghosts to dispel, so many lessons to learn.
  28. Reviewed by: Helen O'Hara
    40
    If you like Gervais' usual schtick, you might be prepared to overlook the hackneyed plot for the jokes and strong cast.
  29. Reviewed by: Robert Wilonsky
    40
    If it sounds all so pale and predictable, it is.
User Score

Generally favorable reviews- based on 70 Ratings

User score distribution:
  1. Positive: 29 out of 36
  2. Negative: 5 out of 36
  1. One of the greatest comedies I've seen. Gervais put on a good performance and it's one of the very few comedies that actually has a big heart. Brilliant. Full Review »
  2. Ricky Gervais is a comedian genius and is supported by a fine cast here. The film itself however, even though it kicks off well, as it progresses the laughs are far between. Full Review »
  3. 3
    Felt very dated - and not in the good way. Special effects felt like a made-for-TV movie, complete with 'whoosh' sounds as ghosts pass through doors. The sneezing effect was funny the first time, not the thirtieth. The conversations between Gervais and Wiig and the lawyer were the best part of the film. The biggest complaint I have, though, is that the movie seems to start out as a comedy, then goes into a corny romcom, then tries to be emotional and dramatic. But the dramatic stuff feels very forced, very cliche, very cheesy. The whole film felt empty and on autopilot. Seems like one of those movies meant to fill seats and sell tickets and DVDs; no real aspirations or content to walk away with. Sure, not every movies needs to be a life-changing experience, but unlike, say, a light-hearted Adam Sandler comedy, this movie seems to think it is something deep and affecting. Really, really corny film. Full Review »