- Studio: United Artists
- Release Date: Jul 20, 2001
- Critic Score
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100I wanted to hug this movie. It takes such a risky journey and never steps wrong. It creates specific, original, believable, lovable characters, and meanders with them through their inconsolable days, never losing its sense of humor.
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91A buoyant, funny, and disarmingly humane comedy of beautiful losers in revolt.
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88As hip, funny and truthful a sleeper as has ever flown under Tinseltown's radar.
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90Let the unsettling secrets of this outrageously funny and steadily engrossing meditation on the life of two high school misfits after graduation catch you by surprise. It's that good.
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90Smart, surpassingly odd, extremely funny and mysteriously endearing at the same time.
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90Buscemi makes Seymour into a character you simply want to see again and again. He's the most appealing, amusing "loser" anyone could ever share old records with.
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88Ghost World draws super, natural performances.
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88There's a loneliness at the heart of this world, and Ghost World, that's really touching -- and a bit scary, too.
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90If, like me, you've been wondering how Terry Zwigoff, the brilliant documentary filmmaker who made "Crumb," would negotiate his shift to fiction filmmaking, here's your answer: brilliantly.
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88A unique bond still develops between the two outcasts, leading to an unexpected resolution that ends this subtle, deeply humane movie on an ambiguous, but unmistakably hopeful, note.
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88Funny, insightful, unpredictable and blessed with pitch-perfect performances, Ghost World is one of the year's best movies.
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100Ghost World resists convenient closures and summaries and some may take issue with its open-endedness. But anything else would have been phony, and Enid would never have stood for it.
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83A funny, sad, scary and ultimately tragic coming-of-age drama/black comedy that skillfully -- and uncompromisingly -- creates its own world and uniquely pessimistic vision.
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90Offers an exquisite tour of the twilight zone between high school and the so-called real world, as well as between bohemian subculture and the even stranger culture of America at large.
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90Keep your "Lara Croft" and your "Shrek": For me, the summer's reigning icons are Enid, Thora Birch's geek goddess in Ghost World, and her action-movie analogue.
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90A character so real and poignant (yet hysterically funny), she'll linger for months or years.
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90In this arid landscape, the edifice of Ghost World, with all its acute insolence, stands out like the Taj Mahal.
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100It's surely the best depiction of teenage eccentricity since "Rushmore," and its incisive satire of the boredom and conformity that rule our thrill-seeking, individualistic land, and also its question-mark ending, reminded me of "The Graduate."
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88Whatever portion of the alienated teen angst championship Thora Birch left unclaimed after ''American Beauty,'' she nails down brilliantly in Ghost World.
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90Pitch-perfect -- not just the most enjoyable movie of the year but the first (after Crumb) to get the tone of a certain strain of "underground" comic right.
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90Zwigoff pulls off something in Ghost World that seems a minor miracle -- he creates someone with a complex inner life.
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90In the hearts of losers, Zwigoff’s found a real winner.