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80This is the best bond movie since "On Her Majesty's Secret Service".
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80Most crucially, Brosnan makes the grade as 007. He handles the action capably and gets the standard quips out in a commendably straightforward way that's wry but not dismissive.
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80And yet, Goldeneye proves the character's viability as a pop icon: It isn't a great movie, but it's great, preposterous fun.
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80There's something a mite pathetic about our culture still clinging to 007, but it's hard to deny that this is one of the most entertaining entries in the Bond cycle, which started with "Dr. No" (1962).
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75This is the first Bond film that is self-aware, that has lost its innocence and the simplicity of its world view, and has some understanding of the absurdity and sadness of its hero.
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75When the action is extreme, GoldenEye is supercharged with spectacular, thundering, brain-numbing fun.
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It is both the best-looking James Bond film and the best-looking James Bond.
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75The writers get the mix just about right, and first-time Bond director Martin Campbell moves things along fairly briskly.
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75Also, there's more action in Goldeneye than in previous 007 entries -- enough to keep a ninety-minute film moving at a frantic pace. Unfortunately, this movie isn't ninety-minutes long -- it's one-hundred thirty, which means that fully one-quarter of Goldeneye is momentum-killing padding.
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70A mildly successful attempt at updating a relic, its appeal depends greatly on an audience's willingness to go along for a familiar ride. [17Nov1995 Pg. F.01]
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70New Bond man Brosnan can't be faulted for much. He's always been generically sexy, a sort of programmed cover boy. In this new venture, he's appropriately handsome, British-accented and suave.
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63The musical score is a dud, and the film is one firebomb too long. But GoldenEye's vision is 20/20 when it comes to reviving a legend. [17Nov1995 Pg.01.D]
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60Jeffrey Caine and Bruce Feirstein's script promises more fun than it delivers, slowly frittering away its store of jokes and thrills.
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58Still, just about everything in Goldeneye, from its rote nuclear-weapon-in-space plot to the recitation of lines that sound like they're being read off stone tablets (''Shaken, not stirred!''), has been served up with a thirdhand generic competence that's more wearying than it is exhilarating.
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50For devotees of the genre, the bad news is the best news: Bond is back and nothing has changed except the stuntman's canvas - it's bigger than ever, duly pumped up to Schwarzeneggarian standards.
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50Mr. Brosnan, as the best-moussed Bond ever to play baccarat in Monte Carlo, makes the character's latest personality transplant viable (not to mention smashingly photogenic), but the series still suffers the blahs.
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50Technology has squeezed character to a few measly pixels on the digital screens. Explosions have replaced dramatic climaxes.
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50How well do Bond's established conventions survive after a third of a century's hard use, the post-cold war deglamourization of espionage and the arrival of yet another actor in the central role? The short answer is, on wobbly knees.
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Positive: 10 out of 11
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Mixed: 1 out of 11
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Negative: 0 out of 11
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RussellW.9