1. PaulRYG

   10

   Seldom does a film pontificate such an intellectually prescient concept to their film the way "Good Night and Good Luck" did so brilliantly! To comprehend the full gist of this movie is to ruminate the prevailing era in this country during McCarthyism. What Edward R Murrow hoped to accomplish with his news show was to format objectivity in a manner whereby the truth on any given issue required a full perspective, and, not just one politician's point of view! Today, the dichotimizing of various philosophies concerning different positions on any given issue, seem relatively second nature to the dynamic of the news media, however, in 1954, it was an intrepidly new concept in which Edward R Morrow essentially gave birth to. To theorize on the veracity of any particular concept becomes an intellectual endeavor which broadens our horizons as Americans. Such an esoteric epigram from "Good Night and Good Luck" is what made this film so intellectually spellbinding! So often in films today, the fusillade of special effects supercedes the basic cerebral element of human nature. The success of most films are determined by their box office budget. Steve Soderbourgh and George Clooney attained a clairvoyant effervescence to decide to produce this film. "Good Night and Good Luck" effloresces into a precis for academic fervor in establishing the very real purpose of television. Edward R Murrow became the single biggest purveyor for unprecedented accuracy in the news world of television just by virtue of delving into every angle of a volatile, and formerly misunderstood issue. Issues such as Communist paranoia, which was vehemently advocated by Joe McCarthy! It was probably the hacked out stoicism to predetermined news programming which Edward R Murrow wished to severely abbreviate. Murrow's philosophy of the news was to conceptualize the aggregate circumstances to a news story to determine the accuracy and significance of the actual controversy pertaining to this news item. Newsworthiness became a prerogative of every American in the United States after Murrow's entrance in the news realm of professionalism. The fact is, the truth is multi faceted, and the simple mendacity to the American News Media, is that is was not represented by that criteria! What was placatory doggerel back then, became hard bitten reality thanks to Edward R Murrow. By 1954, it was time for stilted national heroism to be dragged down from the soap box and revolutionized to the paradigm which accommodated the overall wishes of the American public. For now, television was not just about ratings and innocuous entertainment, it was incumbent upon someone such as Edward R Murrow to introduce the informative element of television as a foundation to enhance professional integrity. The visceral outlook in which the film "Good Night and Good Luck" assumed was an intelligent and an enlightening perspective that brought the birth of prolific news media coverage to the American people. Was this film exciting? No! It could not possibly be. This movie is about the truth, and, the truth is not exciting. The truth is stubborn, the truth is wry as well as abrasive, but, most of all, the truth is a necessary evil which keeps our eyes wide open to determine the full scope of political philosophy as opposed to another. This acute presentation of fundamental principals and policies which Edward R Murrow established as a precedent for news anchormen in the ensuing years ahead, made the film "Good Night and Good Luck" a cogently accurate account of how Americans have dissected the accuracy of hard bitten news on television. The film "Good Night and Good Luck" is unbelievably brilliant in the overall premise by which it purveys. Put it this way: Christopher Columbus discovered America, and Edward R Murrow discovered objectivity for television news shows. While I thought this film was fabulous, if people didn't like it, it is good in some ways, mostly because we do not realize how much we have taken the privilege of a well rounded perspective on a political issue for granted., therefore, we do not perceive that this film was groundbreaking in any way, but,, it most assuredly was! A simple solution for a seemingly complicated issue is merely a simple response! This movie "Good Night and Good Luck" is what made me just say that. One more thing, make sure you go out there and vote!!… Expand

   • Helpful? 0 of 0 users said Yes.
2. CassianJ

   8

   This is a class movie by a class director full of great subtle performances by the whole cast. Clooney directs and fills a supporting role in this movie based around the media… Expand

   • Helpful? 0 of 0 users said Yes.
3. grandpajoe6191

   7

   "Good Night, and Good Luck" isn't really a masterpiece as the critics claim, but it has it's sophisticated entertainment values thanks to the wonderful direction / performance of George Clooney and his crew.… Collapse

   • Helpful? 8 of 10 users said Yes.
4. richardb.

   4

   I wanted to like this movie. Its important that audiences today learn that American journalists can, and have, stood up to powerful men abusing their power. But somehow, the life-draining, period drag of this movie got in the way of what should have been an easy dramatization of a stirring real-life battle. This is one colorless film, and not just because it's shot in black & white. Why,after about a half hour in, did I feel like I was watching a weak 30's melodrama, instead of an updated The Front Page or All The President's Men or Broadcast News? Movie journalists have rarely been this dull. Was Ed Murrow really that constipated, such a self-important Shakespearean name-checker,so insufferably urbane? What did he do off the job, and how come we never saw how his wife and family figured in his career? In fact, why did we waste so much screen time on Robert Downey and Patricia Clarkson's secret marriage, at the expense of learning more about Murrow, or anything at all about Fred Friendly, or Bill Paley? What's especially weird is that stock footage Joe Mc Carthy becomes, by default, the most appealing character in the flick.He's a red-blooded ranter, sometimes rabid, sometimes clever, but always a lot more human than you'd expect. I'm sure that's hardly the message George Clooney means to send his audience but, when it comes down to it, beasts'll beat bores every time. Check out Emile de Antonio's 1964 documentary, Point of Order, if you want to know what really happened.… Expand

   • Helpful? 0 of 0 users said Yes.

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