- Studio: Sony Pictures Classics
- Release Date: Sep 15, 2000
- Critic Score
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100Bravo!
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88Triumphs by taking an elliptical approach that still reaches directly into the very core of genius.
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80Far more than a mere visual feast.
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80Superb, contemplative.
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80Feverish, elegant movie.
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80The camera, freed to glide, flows as if through the old man's memory, discovering both the glory of his life and the tragedy.
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75Saura's storytelling style draws us deep into Goya's world, a disturbing but bittersweet place that can look hauntingly modern.
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75It assumes considerable knowledge of his life and times. But, with even a little of the familiarity it demands, the movie is something special.
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70Storaro's gorgeous cinematography imbues every frame with an enthralling subjectivity.
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70Visual knockout of a film.
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70The luminous images--as much the filmmakers' as the painter's--are occasionally transcendent.
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67Plods and frustrates, but forgivably, it is a deeply felt picture.
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63Dreamy and elegantly filmed.
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60What can a movie tell us about the painter that the paintings do not? The effort has done no favors for Picasso or Rivera or Bacon.
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60Worth a look, even if it doesn't quite find the internal logic it seems to be searching for.
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58Covers some bases, but it feels like the Cliffs Notes version of a grander epic.
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50Never comes alive.
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50The meandering story doesn't gather much momentum and Vittorio Storaro's camera work is less awesome than usual.
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50The movie never catches fire with the emotions.
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50Rich as it looks, it lacks the feverishness of Goya's art.
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50This film's splendid visuals suit the subject, Spain's greatest painter, but its stilted dramatics are wholly at odds with Francisco de Goya's tumultuous life and times.
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40Sumptuous to behold, although one will not leave the theatre with a much deeper knowledge and understanding of this great Spanish painter's career.
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38While it's visually stunning, the pretentiousness makes it hard to take seriously.
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38Pretty but tedious Euro-pap at its most self-indulgent.
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