- Studio: Samuel Goldwyn Company, The
- Release Date: Jul 20, 2007
User Score
7.4
out of 10
Generally favorable reviews- based on 20 Ratings
User score distribution:
-
Positive: 15 out of 20
-
Mixed: 4 out of 20
-
Negative: 1 out of 20
Review this movie
-
Your Score10 out of 10
-
Please sign in or create an account before writing a review.
-
-
Submit
-
Check Spelling
-
Characters remaining: 5000 out of 5000
- User score
- Most active
- By date
- Most helpful
- Most Clicked
-
BV.Aug 19, 20074
-
-
DanielSep 8, 200710One of the most underrated movies so far this year.. This is Forman at his best. Wonderful cinematography, superb acting. A must seen.
-
-
AdamM.Dec 18, 200710Very good film! It's really great, I remember it still, and I cannot forget about it.
-
-
SteveT.Oct 31, 20078The film doesn't deserve some of the negative reviews. The production design and sound design are Oscar-worthy, and Randy Quaid is delightful as the King.
-
-
FredM.Aug 22, 20079
-
-
JayH.Feb 21, 200855.5/10. Forman, Bardem, Portman. What happened?? It's not a bad film by any means, but with this talent, I would expect great. Superb sets and costumes, fine cinematography. The problem lies with the characters that don't involve you in the film. It isn't very deep, and a film of this nature needs that very much.
-
-
AllaK.Apr 23, 20089Great movie, showing a true religious ungodly times.
-
-
TonyTonyOct 24, 20089Superb acting From Skarsgard and Bardem. Some of the best so far from Portman. A very nice period piece.
-
-
Apr 5, 20127
prev
next
Page:
- 1
-
70Ambitious script is stranded between entertainment and intellectualism, leaving us with a magnificent folly, thoroughly watchable for its visuals but ultimately hollow.
-
50The movie is uneven in the extreme, to the extent that it feels like two imperfectly wed pictures. The first, while not extraordinary, at least contains some interesting ideas. The second borders on embarrassing: an overblown melodrama complete with coincidence building upon coincidence and plot threads that are left unresolved.
-
The film takes as many plot-twists as "Pirates of the Caribbean"; distinctly Goya in its emphasis on the grotesque, it shows none of the Spaniard's artistic economy.