User Score
6.8

Generally favorable reviews- based on 28 Ratings

User score distribution:
  1. Positive: 19 out of 28
  2. Negative: 3 out of 28

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  1. Apr 5, 2012
    7
    A pretty decent film! Not without flaws, but I have had a great time watching this movie! Perhaps, what doesn't help for people to enjoy it as much as they could is reading too many negative reviews. Personally, I don't think this film was particularly messy, but I do think some people are just unable to follow movies which plot is a bit more complex than the average..(sorry the honesty).A pretty decent film! Not without flaws, but I have had a great time watching this movie! Perhaps, what doesn't help for people to enjoy it as much as they could is reading too many negative reviews. Personally, I don't think this film was particularly messy, but I do think some people are just unable to follow movies which plot is a bit more complex than the average..(sorry the honesty). Well done!...could have been better, but it was well done! Moreover, this film gives you a different perspective of both Napoleon Invasion and the Spanish Inquisition...which one do you think Spaniards thought was worse? (not only what they thought back then, but what they think about those days in present times? This movie, subtlely, brings this question to the surface, although I believe it was always there...) not an easy answer, I bet! Watch the movie and you will understand what I mean! Expand
  2. Jul 5, 2013
    2
    Oh no...not what I expected from Forman. This film was DULL. The acting was good, but there is so much an actor can do when the character they are given to play is not developed properly the characters were more like caricatures, very 2D. You really could not fell for any of them! No feelings of empathy for the tortured innocent, no sense of anger for the evil egomaniac who always getsOh no...not what I expected from Forman. This film was DULL. The acting was good, but there is so much an actor can do when the character they are given to play is not developed properly the characters were more like caricatures, very 2D. You really could not fell for any of them! No feelings of empathy for the tortured innocent, no sense of anger for the evil egomaniac who always gets away with it. Nothing. The only "feeling" you get from this film is from it's ending it's the felling of relief that the film is finally over Expand
  3. Jul 30, 2013
    8
    This review contains spoilers, click expand to view. A beautiful, unusual film. The real protagonist is the world around Goya, represented in a masterly way. Some characters are anachronistic, but the message is strong: fanaticism exists also behind great ideals. Behind "Libertè, égalitè, fraternitè" are mere men, not so different than their enemies. There are two scenes I liked particularly: one when the hen raise its head after the cannon shot. It's a brilliant idea, I think. And another when three bloody scenes are shown while the narrator says"Libertè, égalitè, fraternitè", to communicate the message I told before. The plot itself is nothing special: Goya is mainly an observer, Ines is always a victim. Lorenzo represents fanaticism and hypocrisy: although he seems a new good man, he doesn't help Ines, in a worse way than how he didn't help her before. Not simply by inaction as before: this communicates that the new man is perhaps worse than before, and strengthens the conviction that people can't change, but only get worse. The plot may seem inconsistent, but it's actually very important: representing the history wouldn't be enough without someone close to the observer. It would be like explaining something without an example. A inattentive observer could look at the mere plot and consider this a bad-done film. But behind a simple plot there's an important message that makes you reflect. Expand
Metascore
52

Mixed or average reviews - based on 25 Critics

Critic score distribution:
  1. Positive: 9 out of 25
  2. Negative: 3 out of 25
  1. 70
    Ambitious script is stranded between entertainment and intellectualism, leaving us with a magnificent folly, thoroughly watchable for its visuals but ultimately hollow.
  2. 50
    The movie is uneven in the extreme, to the extent that it feels like two imperfectly wed pictures. The first, while not extraordinary, at least contains some interesting ideas. The second borders on embarrassing: an overblown melodrama complete with coincidence building upon coincidence and plot threads that are left unresolved.
  3. Reviewed by: Charles Petersen
    50
    The film takes as many plot-twists as "Pirates of the Caribbean"; distinctly Goya in its emphasis on the grotesque, it shows none of the Spaniard's artistic economy.