Metascore
58 out of 100

Mixed or average reviews - based on 19 Critics

Critic score distribution:
  1. Positive: 9 out of 19
  2. Negative: 1 out of 19
  1. Reviewed by: Jeremy Knox
    100
    Gozu is a riddle wrapped in an enigma wrapped in a cow's head. If you think that this last statement doesn't make any sense, just watch the movie.
  2. 88
    The film is less violent and bloody than much of the director's work, but the absurdity level is sky high. Takashi Miike is at the top of his game, loving every minute of his surreal visit to the twilight zone.
  3. 80
    Splendidly entertaining.
  4. Reviewed by: Ty Burr
    75
    The latest and most creatively unhinged film from director Takashi Miike.
  5. Although most definitely an acquired taste, the David Lynchian Gozu delivers the goods in dripping, gooey gobs.
  6. The film unfolds as if it were a dream in which taboo subconscious urges surface symbolically as in a Dali painting, yet everything takes place in everyday settings.
  7. Reviewed by: David Rooney
    70
    Unclassifiable cult figure Takashi Miike's films invariably have their share of weirdness and perversity, but Gozu arguably outweirds all previous efforts in the prolific Japanese director's eclectic canon.
  8. It somehow feels richly, hilariously real, even -- at its most bizarre -- familiar.
  9. Gozu is prime evidence in the argument that gonzo gangster movie maverick Takashi Miike is a major director goofing on minor works.
  10. Reviewed by: Will Lawrence
    60
    If "Ichi The Killer" stressed the extreme natureof Takashi Miike's cinematic sensibility, Gozu hammers it home… with a blood-spattered mallet.
  11. Mr. Miike is best known in the United States for horror films like "Audition" and "Ichi the Killer." Gozu, for all its extremity, is a more relaxed, less disturbing picture. Its dreamy disconnection is reminiscent of David Lynch's "Mulholland Drive," but it is, if anything, even more hermetic and dissociated.
  12. There are some genuinely funny moments amid the gore, but who knew this famously edgy director would find bathroom humor to be such a knee-slapper?
  13. 50
    Miike's film is a cunning little comedy of manners gone mad. Even when you feel you have to turn away from the screen or lose your lunch, Miike has something interesting to say. I'm not entirely sure what it is but his lips are moving and something horrific is definitely coming out.
  14. Not until the last 20 minutes does Gozu come fully alive. A man has sex with a seductive beauty, who then gives birth to...well, let's just say it's a sight that may take time to fight its way out of your head.
  15. 50
    The various disruptions Miike visits upon his stories, and upon his audience, serve mainly to focus attention on the manipulating intelligence behind the scenes. They're a fancy way of yelling, "Look at me!"
  16. 50
    Miike has served up some of the most dumbfounding images in contemporary cinema.
  17. Miike's fans, those used to his strange ways, will certainly find Gozu an amusing addition to the oeuvre. All others will be bewildered beyond expression.
  18. Reviewed by: Ken Fox
    40
    The homoerotic twists and gender-shifting turns are fun, but they can't hide the fact that the film is little more than a tedious shaggy-dog story with oblique mythological references.
  19. Reviewed by: G. Allen Johnson
    0
    Stay far, far away.
User Score

Generally favorable reviews- based on 8 Ratings

User score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. AndrewS.
    10
    Another Miike masterpiece.