Generally favorable reviews - based on 25 Critics

Critic score distribution:
  1. Positive: 17 out of 25
  2. Negative: 0 out of 25

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Critic Reviews

  1. Disarms with its sincerity and frankness.
  2. This patient, perceptive, nonjudgmental love story about age difference is the first to convincingly explain the temporal physics of May-December romances.
  3. Reviewed by: Todd McCarthy
    Wonderfully acted and slickly mad. Acutely written with an eye to the motivations and ambiguities involved on both sides in such a relationship.
  4. Rolling Stone
    Reviewed by: Peter Travers
    Offers something magical in the haunting and hypnotic performance of Sarah Polley...(the film) cuts deep.
  5. 88
    The movie's heart is in the right place.
  6. Mr. Showbiz
    Reviewed by: Kevin Maynard
    As talented as Polley proved herself in "The Sweet Hereafter" and "Go," this is her best work yet.
  7. 80
    Affecting, gloriously acted.
  8. Affectionately told ...beguiling.
  9. New York Post
    Reviewed by: Lou Lumenick
    Should make Polley, memorable in "The Sweet Hereafter" and "Go," into a bona-fide star.
  10. TNT RoughCut
    Reviewed by: Morgan Fouch
    Polley's doe-eyed innocence is in overdrive.
  11. Philadelphia Inquirer
    Reviewed by: Steven Rea
    At the heart of the film, Polley - with her wary, unsure stares, her open smile and beguiling intelligence - is terrific.
  12. An enigmatic but gorgeous film.
  13. 70
    Rea hits just the right balance of sympathy and self-interest.
  14. Chicago Tribune
    Reviewed by: John Petrakis
    A shy and depressed college graduate falls in love with a Bohemian artist, as in Woody Allen's "Manhattan."
  15. USA Today
    Reviewed by: Mike Clark
    The cumbersome wrap-up, which follows a four-year narrative gap, seems too fanciful and bogs down what has been a stronger second hour.
  16. Reviewed by: Jay Carr
    While the appeal of Guinevere is decidedly intermittent, it's there, and the acting is right on the money.
  17. Polley, the paraplegic incest victim in Atom Egoyan's "The Sweet Hereafter," gives a mesmerizing central performance.

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