Metascore
90

Universal acclaim - based on 12 Critics What's this?

User Score
8.5

Universal acclaim- based on 40 Ratings

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Score distribution:
  1. Positive: 12 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 0 out of 12
  1. 100
    Allen's writing and directing style is so strong and assured in this film that the actual filmmaking itself becomes a narrative voice.
  2. Reviewed by: Gerald Nachman
    100
    Sad funny and richly romantic, everything that makes Allen’s movies so beloved. [7 February 1986, Daily Notebook p.76]
  3. Reviewed by: Staff (Not Credited)
    100
    He (Allen) makes nary a misstep from beginning to end in charting the amorous affiliations of three sisters and their men over a two-year period.
  4. 100
    A joy to behold, a complex film that never loses either its sense of purpose or sense of humor. [7 February 1986, Friday, p.33]
  5. Reviewed by: John Hartl
    90
    There's a sense of ease and contentment to it that has never been so prominent in Allen's work before.
  6. Reviewed by: Staff(not credited)
    80
    Allen has infused it with wit, a superb cast and his usual "the best direction is the least direction" style.
  7. Reviewed by: Staff (Not credited)
    63
    "It's one of the problems I have with Hannah. I feel I haven't gone deeply enough." Should Woody Allen ever tire of making movies, he can take up criticizing them.

See all 12 Critic Reviews

Score distribution:
  1. Positive: 9 out of 9
  2. Mixed: 0 out of 9
  3. Negative: 0 out of 9
  1. JMH
    May 7, 2012
    10
    Woody Allen's magnificent Hannah and Her Sisters plays out like a novel on screen, parsed into chapters by white-on-black quotes, or snippets of dialog, that announce the beginning of each scene. The film's chapters tell intertwined stories of an extended family of Manhattanites, centered largely around Hannah (Mia Farrow), the oldest of three sisters, Hannah, Holly (Dianne Wiest), and Lee (Barbara Hershey). The stories link at three family Thanksgivings at Hannah's apartment, shared with her husband Elliot (Michael Caine), at the beginning, middle, and end of the film. Each story is distinguished by its own soundtrack, and sometimes by its own pace, look, and/or location. Hannah and Elliot have marriage troubles. Elliot's infatuated, and starts an affair, with Lee. Holly's aimless, trying and failing to find satisfaction, repeatedly, taking "solace" in a self-destructive drug habit. Alongside this mix is Mickey (Allen), who's learned he may have a brain tumor and finds himself on a quest to make meaning of life in the face of death. Each story provides a window into the complex decisions adults make -- whether right or wrong -- when confronted with circumstances they hardly apprehend. Allen treats right and wrong choices with the same degree of tolerance, and ultimately with a blind-but-necessary optimism -- a belief that, next time around, a person might just do better. The film's feats are numerous. Effortless mixing of drama and comedy. Thematic and personal bonds uniting seemingly disparate characters and stories. Crafty direction that juggles the pieces but fits them together. This is perhaps Allen's most richly acted film; it's certainly one of his most richly written. His assured storytelling and directing exhibit a marked maturation of his skills. Hannah and Her Sisters is a great, and now classic, film. Expand
  2. Aug 27, 2011
    9
    This is one of Allen's most well-rounded movies, with the same depth of his earlier pictures, melded with a more romantic picture of this phase. It's a major accomplishment, not only as one of Allen's quirkiest comedies, but finally one of Allen's tributes where he realizes not to mimic his idol, but to take similarities and repackage them as his own. Expand
  3. Sep 3, 2012
    8
    It is a funny charming movie. The highlight is Woody Allen's character who is just a complete mess, but its great. it is charming and is a nice holiday movie, even though it really has nothing to do with the holiday season. Expand

See all 9 User Reviews

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