- Studio: Good Machine
- Release Date: Oct 16, 1998
User Score
6.9
out of 10
Generally favorable reviews- based on 32 Ratings
User score distribution:
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Positive: 23 out of 32
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Mixed: 3 out of 32
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Negative: 6 out of 32
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Dec 29, 20129
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JonathanH.Apr 3, 200410A wonderful film, one that i can understand that a lot of people are going to hate, but i was amazed throughout.
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Oh,God,It'sGilbertMulroneycakesAgainDec 6, 200310Yes, it's me again, and yes, Yoon Min Cho, I'm talking to you again - sorry about that - but I would like to know the REASON that certain truths are best handled discreetly. I thought everything was fair game for artistic commentary, provided it was handled sensitively - which is not the same as discreetly - and which Solondz, I feel does properly in Happiness. Over to you, then.
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JenniferH.May 3, 200510Beautiful.
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WilliamM.Apr 18, 200210Never before have I been to a theatre in which the manager gets up before the movie starts to "warn" the audience about the general content of the film. Yes, it deals with pedophilia, but why warn the damned audience? Ridiculous. The guy then told everyone that if they wanted to talk about it afterwards, he would be available near the popcorn machine. Scary thought.
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JoshCNov 20, 200610Masterfull! Todd Solondz for president.
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JaredMar 11, 200610An absurdist comedy who's concequences are all too real. Each character bleeds emotion, yet we find ourselves compelled to laugh at their comically tragic situations. It satirizes everything yet remains incredibly poignant. All in all it is a starkly human movie, with the depravity we so often enjoy, yet so often regret.
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MichaelS.Apr 29, 200210Refreshing...black comedy...irreverent, dark...and BOLD...great cast.
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GilbertMulroneycakesAtTheLondonPalladiumJul 16, 200310
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60Everyone who likes this movie calls it "disturbing," but what disturbs me most is the self-loathing laughter it provokes, similar to what one often hears at Woody Allen and Michael Moore comedies.
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50It's not the subject matter itself that's offensive -- pedophilia is as worthy a topic of investigation as any other. Instead, it's the subject's non-treatment -- we don't learn a thing that rings true.
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90Thoroughly realized characters and relationships and Solondz's masterful ability to switch the tone from comic to tragic within the same scene help make Happiness a better film than it might have been otherwise. Much better, in fact.