- Studio: IFC Films
- Release Date: Dec 14, 2005
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90Since premiering on the festival circuit in 2002, this small masterpiece has been one of the best films around not to secure a proper theatrical release, and while one week on a single L.A. screen at the height of the crowded holiday season may not exactly qualify as proper, it's nevertheless a joyous happening.
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80This is a droll, laid-back film noir steeped in Crescent City atmosphere and music that culminates in the colliding worlds of genuine and virtual reality.
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80Isn't for everyone. It seems certain to confound as many viewers as it will inspire. But pic will foster a core critical contingent that will find itself transfixed and, ultimately, deeply moved by the film's ravishing power.
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Beautifully acted and filmed, with the Internet imagery rendered in Pixelvision.
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70It's perhaps most remarkable as a sweet, mysterious portrait of pre-flood New Orleans, which Almereyda not incorrectly portrays as a land of wandering, uncertain souls.
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When Amelia takes the full multimedia plunge in the movie's final moments, Happy becomes something inexplicably (and metaphysically) beautiful.
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63The soundtrack includes great songs by Andre Williams and Shirley Ellis, and music by local R'n'B legend Ernie K-Doe and electronic organ freakazoid Quintron, who both appear in the film.
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50Like some other contemporary films that try to stitch together a small army of characters into a community of sorts, Happy Here and Now feels like a symptom in search of a cure.
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40Rarely interesting, always confounding.
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38A few relevant themes do bubble up from this visually intriguing swamp of self-indulgence, but Arquette's pseudo-philosopher seems to speak for Almereyda when he says, "If there was a point, there wouldn't be a story."
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25Almereyda's muddled Happy Here and Now should have stayed on the shelf - where it's been gathering dust for several years.
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